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<title>KiDeSo ViDeO Pla~neT©</title>
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<description>[20 Most Viewed videos on KiDeSo ViDeO Pla~neT©]</description>
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<title>KiDeSo ViDeO Pla~neT©</title>
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<item>
  <title>Bob Marley - No Woman no Cry</title>
  <link>http://www.kideso.co.uk/kvp/video/196/Bob-Marley--No-Woman-no-Cry</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/1_196.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Most of Bob Marley&#039;s early music was recorded with Peter Tosh and Bunny Wailer, who together with Marley were the most prominent members of The Wailers. In 1972, Bob Marley had his first hit outside Jamaica when Johnny Nash covered his song &quot;Stir It Up&quot;, which became a U.K. hit. The 1973 album, Catch a Fire, was released worldwide, and sold well. It was followed by Burnin&#039; which included the song &quot;I Shot the Sheriff&quot;, of which a cover version by Eric Clapton became a hit in 1974./nPeter Tosh and Bunny Wailer left The Wailers in 1974. Bob Marley proceeded with &quot;Bob Marley ; the Wailers&quot;, which included the Wailers Band and the I Threes. In 1975, he had his first own hit outside Jamaica with &quot;No Woman, No Cry,&quot; from the Natty Dread album. His subsequent albums, including Rastaman Vibration, Exodus, Kaya, Survival and Uprising, were big international sellers. Bob Marley has sold between 100 and 250 million records worldwide. Between 1991 and 2007 Bob Marley and The Wailers have sold in excess of 21 million records. These statistics did not begin to be collected until ten years after his death./nBob Marley ; The Wailers was a reggae band created by Bob Marley in 1974, after Peter Tosh and Bunny Wailer left the precursor band, The Wailers. The brothers Carlton (drums) and Aston &quot;Family Man&quot; Barrett (bass) – who had joined The Wailers four years earlier – chose to stay with Marley./nThe Barret brothers originally played with the Wailers while still in Lee &quot;Scratch&quot; Perry&#039;s studio band The Upsetters /nBob Marley ; The Wailers consisted of Bob Marley himself as guitarist, songwriter and lead singer, the Wailers Band as the backing band, and the I Threes as backup vocalists. The Wailers Band included the brothers Carlton and Aston &quot;Family Man&quot; Barrett on drums and bass respectively, Junior Marvin and Al Anderson on lead guitar, Tyrone Downie and Earl &quot;Wya&quot; Lindo on keyboards, and Alvin &quot;Seeco&quot; Patterson on percussion. The I Threes, consisted of Bob Marley&#039;s wife Rita Marley, Judy Mowatt and Marcia Griffiths./nSometimes, usually for marketing purposes, recordings are indiscriminately attributed to either &quot;Bob Marley&quot;, &quot;The Wailers&quot;, or &quot;Bob Marley ; the Wailers&quot;.</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Bob">Bob</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Marley">Marley</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=No">No</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Woman">Woman</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=no">no</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Cry">Cry</a> <br />Date: 2008-11-22<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
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<item>
  <title>Kideso - Radio</title>
  <link>http://www.kideso.co.uk/kvp/video/563/Kideso--Radio</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/1_563.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Kideso - Radio</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Kideso">Kideso</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=-">-</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Radio">Radio</a> <br />Date: 2010-02-23<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
</item>
<item>
  <title>Shabba Ranks Ft Shevelle Franklin - Mr Lover Man</title>
  <link>http://www.kideso.co.uk/kvp/video/1071/Shabba-Ranks-Ft-Shevelle-Franklin--Mr-Lover-Man</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/2_1071.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Shabba Ranks (born Rexton Rawlston Fernando Gordon; January 17, 1966, in Sturgetown, St. Ann, Jamaica) is a Jamaican dancehall recording artist./nRanks gained his fame mainly by toasting  (or rapping) rather than singing, similarly to his dancehall contemporaries in Jamaica. A protégé of deejay Josey Wales, he arrived on the international stage in the late 1980s, along with a number of fellow Jamaicans including reggae singers Cocoa Tea and Crystal. Ranks also worked with Chuck Berry and American rappers KRS-One and Chubb Rock./nHe secured a major record deal with Epic Records in 1991. Having released five albums for a major label, Ranks remains one of the most prolific dancehall artists to break into the mainstream, which critics have noted as a testament to his popularity./nThe stylistic origins of the genre reggaeton may partially be traced back to the 1991 song &quot;Dem Bow&quot;, from Ranks&#039; album Just Reality. Produced by Bobby &quot;Digital&quot; Dixon, the Dem Bow riddim became so popular in Puerto Rican freestyle sessions that early Puerto Rican reggaeton was simply known as &quot;Dembow&quot;.The Dem Bow riddim is an integral and inseparable part of reggaeton, so much so that it has become its defining characteristic./nHis biggest hit single outside of Jamaica was the reggae fusion smash &quot;Mr. Loverman&quot; (memorable for bringing the cry &quot;Shabba!&quot; to the music world). Other tracks include &quot;Respect&quot;, &quot;Pirates Anthem&quot;, &quot;Trailer Load A Girls&quot;, &quot;Wicked inna Bed&quot;, &quot;Caan Dun&quot;, and &quot;Ting A Ling&quot;./nIn 1993 Ranks scored another hit in the Addams Family Values soundtrack to which he contributed a rap/reggae version of the Sly and the Family Stone hit &quot;Family Affair&quot;. His third album for Epic, &quot;A Mi Shabba&quot;, was released in 1995, however it fared less well. He was eventually dropped by the label in 1996. However, he won two Grammy Awards for previous work, and Epic went on to release a &#039;Greatest Hits&#039; album, entitled Shabba Ranks and Friends in 1999.
Recent news/nToday, Ranks lives in New York City, and there is a rumour that he may be working out a record deal with Jay-Z&#039;s Roc-A-Fella Records, but nothing has been confirmed yet. Ranks made a partial comeback in 2007 when he appeared on a song called &quot;Clear The Air&quot; by Busta Rhymes, which also features Akon.
Controversy/nIn 1992, during an appearance on Channel Four music show The Word, he advocated the crucifixion of homosexuals, and was subsequently condemned for his comments by presenter Mark Lamarr who said that what Shabba was saying was &quot;absolute crap&quot;.[4] Anti-homosexual lyrics are present in a number of Shabba Ranks songs, including &quot;No Mama Man&quot; and &quot;Wicked inna bed&quot;.
Discography
Singles/n    * 1989 &quot;Peanie Peanie&quot; - Shabba Ranks - Jammys.
    * 1990 &quot;Roots ; Culture&quot; - Shabba Ranks - Digital B.
    * 1991 &quot;She&#039;s A Woman&quot; - Scritti Politti Featuring Shabba Ranks - UK Number 20.
    * 1991 &quot;Trailer Load A Girls&quot; - Shabba Ranks - UK Number 63.
    * 1991 &quot;Housecall&quot; - Shabba Ranks Featuring Maxi Priest - UK Number 31 - US Number 37.
    * 1992 &quot;Just Reality&quot; - Shabba Ranks - Digital B.
    * 1992 &quot;Love Punaany Bad&quot; - Shabba Ranks - Jammys.
    * 1992 &quot;Mr. Loverman&quot; - Shabba Ranks Featuring Deborahe Glasgow - UK Number 23 - US Number 40.
    * 1992 &quot;Slow And Sexy&quot; - Shabba Ranks Featuring Johnny Gill - UK Number 17 - US 33.
    * 1992 &quot;Shine ; Crisis&quot; - Shabba Ranks - Shang.
    * 1993 &quot;I Was A King&quot; - Eddie Murphy Featuring Shabba Ranks - UK Number 64.
    * 1993 &quot;Mr. Loverman&quot; - re-issue - Shabba Ranks - UK Number 3.
    * 1993 &quot;Housecall&quot; - remix - Shabba Ranks Featuring Maxi Priest - UK Number 8.
    * 1993 &quot;What&#039;cha Gonna Do&quot; - Shabba Ranks Featuring Queen Latifah - UK Number 21.
    * 1993 &quot;Family Affair&quot; - Shabba Ranks Featuring Patra And Terri ; Monica - UK Number 18 - US Number 84.
    * 1995 &quot;Let&#039;s Get It On&quot; - Shabba Ranks - UK Number 22 - US Number 81.
    * 1995 &quot;Shine Eye Gal&quot; - Shabba Ranks Featuring Mykal Rose - UK Number 46.
    * 1996 &quot;Heart Of A Lion&quot; - Shabba Ranks - Digital B.
    * 1997 &quot;So Jah Say&quot; - Shabba Ranks - Brick Wall./nAlbums/n    * 1989 Best Baby Father Produced by King Jammy.
    * 1989 Holding On - by Home T, Cocoa Tea ; Shabba Ranks Produced by Augustus &quot;Gussie&quot; Clarke.
    * 1990 Rappin&#039; With the Ladies Produced by Augustus &quot;Gussie&quot; Clarke.
    * 1990 Just Reality Produced by Bobby &quot;Digital B&quot; Dixon.
    * 1990 Golden Touch Produced by Mikey Bennett ; Patrick Lindsey (Two Friends Label).
    * 1991 As Raw As Ever Produced by Multiple producers incl Steelie ; Clevie, &quot;Bobby Digital B&quot; Dixon, Mikey Bennett (Two Friends Label) ; others - UK Number 51.
    * 1991/1992 Mr. Maximum Produced by Augustus &quot;Gussie&quot; Clarke (tracks: 2-12) / Track 1 Produced by Maxi Priest - Additional production: Mikey Bennett (Two Friends Label) - New and re-issues/remixes of previous material.
    * 1992 Rough And Ready Volume 1 Multiple producers - New and re-issues of previous material - UK Number 71.
    * 1992 X-tra Naked Produced by Multiple producers incl Steelie ; Clevie, Bobby &quot;Digital B&quot; Dixon ; others - UK Number 38.
    * 1993 Rough And Ready Volume 2 Multiple producers - New and re-issues of previous material.
    * 1995 A Mi Shabba Produced by Multiple producers incl Bobby &quot;Digital B&quot; Dixon.
    * 1998 Get Up Stand Up Produced by King Jammy.
    * 1999 Shabba Ranks And Friends Multiple producers - Remakes and re-issues of previous material./nVideos and DVDs/n    * 2002 Shabba Ranks: Dancehall Ruff - Best of Shabba Ranks (DVD)
    * 2001 The Return of Shabba Ranks (DVD)
    * 1994 Darker Side of Black
    * 1992 Shabba Ranks: Naked and Ready
    * 1992 Shabba Ranks: Fresh ; Wild
    * 1992 Shabba Ranks vs. Ninja Man: Super Clash Round
    * 1990 Reggae Showdown, Vol. 4: Shabba at Showdown (DVD)
    * 1987 Prince Jammy/nHe was one of the most popular dancehall artists of his generation. He was also one of the first Jamaican deejays to gain worldwide acceptance, and recognition for his &#039;slack&#039; lyrical expressions and content, when &quot;ridin&#039; di riddim&quot;. His gravel toned, rough-sounding voice made him instantly recognized worldwide.</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Shabba">Shabba</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Ranks">Ranks</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Ft">Ft</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Shevelle">Shevelle</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Franklin">Franklin</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=-">-</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Mr">Mr</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Lover">Lover</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Man">Man</a> <br />Date: 2010-03-13<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
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<item>
  <title>Byron Lee &amp; The Dragonaires - Tiny Winey</title>
  <link>http://www.kideso.co.uk/kvp/video/395/Byron-Lee--The-Dragonaires--Tiny-Winey</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/3_395.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Byron Lee and the Dragonaires (known as Byron Lee&#039;s Dragonaires since Lee&#039;s death) are a Jamaican ska, calypso  and soca band. The band played a crucial pioneering role in bringing Caribbean music to the world. Byron Lee died on 4 November 2008, after a long battle with cancer.The band was originally formed around 1950 by Byron Lee and his friend Carl Brady, taking its name from the St. George&#039;s College football team that they played for.  The band originally played mento, and performed their first shows in the college common room to celebrate the team&#039;s victories.  After a few years of playing at parties, birthdays and weddings, Lee decided to turn professional. By 1956, the Dragonaires had become a fixture on Jamaica&#039;s hotel circuit, playing under their own name and also providing backing to visiting American  stars including Harry Belafonte, Chuck Berry, The Drifters, Sam Cooke, and Fats Domino.  The Dragonaires prided themselves on being able to play any style of music, their repertoire including covers of American pop and R;B hits, and they soon adapted to include ska when that became popular.

The band recorded their debut single, &quot;Dumplin&#039;s&quot;, in 1959 at the WIRL studios owned by future Prime Minister Edward Seaga, who would also become the band&#039;s manager. The single was released on the Dragonaire&#039;s own Dragon&#039;s Breath label in Jamaica, and was the second release on the Blue Beat label in the United Kingdom, and was unusual for a Jamaican single as it featured an electric organ and a Fender bass which Lee had purchased during a visit to the United States - the first such instruments ever seen on the island. Lee and Seaga both realised that ska was the music to provide Jamaica with a musical identity that could break the domination of American R;B, and the Dragonaires became one of the major ska bands of the early 1960s, releasing singles such as &quot;Fireflies&quot;, &quot;Mash! Mr Lee&quot;, &quot;Joy Ride&quot;, and a ska version of &quot;Over the Rainbow&quot;, both under their own name, and as The Ska Kings.[1] In 1961, the band received a huge break when they were cast as the hotel band in the first James Bond film, Dr. No. The band performed several songs in the film, although the recordings were actually made by guitarist Ernest Ranglin.

The band received another major boost when they were selected by Seaga, then the island&#039;s head of Social Welfare and Economic Development, in 1964 to travel to the New York World&#039;s Fair and perform as a backing band for a showcase of Jamaican talent, including Jimmy Cliff, Prince Buster, and Millie Small. The trip was not a great success, with the Dragonaires&#039; &quot;uptown&quot; musicians not fitting in with the other &quot;downtown&quot; artists Realising that their appeal to ska crowds was diminishing, Lee took the band in a new direction, incorporating calypso and touring Trinidad ; Tobago in 1963 and 1964. Lee&#039;s relationship with Atlantic Records (he acted as head of distribution for the US company in Jamaica) led to the label releasing Dragonaires records in the US, including two albums timed to capitalise on interest generated from the World&#039;s Fair performances, Jump Up and Jamaican Ska (on which the Dragonaires backed the likes of The Blues Busters, The Charmers, The Maytals, Stranger Cole, Ken Boothe, and Patsy Todd). The band also targeted the international rocksteady market with albums of mainly cover versions such as Rock Steady Beat and Rock Steady &#039;67. Further, Atlantic Records tried to push the album Jamaican Ska by using house producer and sound engineer Tom Dowd, who produced all of Aretha Franklin&#039;s greatest singles, to produce the album.[citation needed] In addition, the Dragonaires were renamed as &quot;The Ska Kings&quot; on the album. Unfortunately, despite Atlantic&#039;s best efforts, Jamaican Ska failed to take off in the United States.

Lee bought the WIRL studios from Seaga and turned into Dynamic Sounds Recording Co., where the Dragonaires naturally recorded, using the superior facilities to record a string of well-produced albums during the late 1960s and early 1970s, often containing cover versions aimed at tourists, and they went on to record a series of &quot;Reggay&quot;-titled albums in the early 1970s.

The WIRL name had remained with its division in Barbados and had remained the ever-popular brand of Bajan music until 1995, when it changed its name to E.A. Best Music Ltd, and eventually to its current name, Caribbean Records - still the major record company and distributor of Barbados. Back in Jamaica, Dynamic had become a bigger force than ever before, investing in presenting more of Jamaica&#039;s talent to vinyl, including Toots ; the Maytals, Eric Donaldson, John Holt, Barry Biggs, Freddie McKay, Tommy McCook, and Max Romeo, issued on imprints such as Jaguar, Panther, Afrik, and Dragon.

In 1974, the band played at Trinidad ; Tobago&#039;s carnival for the first of many times, and the same year they released the Carnival in Trinidad album. They would release both reggae and carnival-oriented albums throughout the 1970s, and in 1975 took in another genre with the Disco Reggae album, released on Mercury Records in the US.

The band played at the Reggae Sunsplash festival in both 1978 and 1979, and were one one of the main backing bands in 1982. They would also appear in 1984 and 1990.

From 1979, the Dragonaires output was heavily concentrated on calypso, soca, and mas, regularly performing at Trinidad ; Tobago&#039;s carnival, and also touring the Caribbean and North America.Throughout the 1990s they were also regulars at Jamaica&#039;s carnival, and their &quot;Dance Hall Soca&quot; hit (recorded with Admiral Bailey) was credited with starting the ragga-soca craze of the late 1990s.

The band continue to tour, recently performing with Kevin Lyttle at the Cricket World Cup 2007 opening ceremony.

Byron Lee died on 4 November 2008, aged 73, from cancer.

The band has continued since Lee&#039;s death, with the name slightly altered to Byron Lee&#039;s Dragonaires.Albums

    * Come Fly With Lee (1962)
    * The Sound of Jamaica (1963)
    * First Class With Lee (1964)
    * Caribbean Joyride (1964)
    * Jump Up (1964)
    * Christmas Party Time (1966)
    * Rock Steady &#039;67 (1967)
    * Rock Steady Beat (1967)
    * People Get Ready, This is Rock Steady (1967)
    * Rock Steady Intensified (1968)
    * Reggay With Byron Lee (1968)
    * The Many Moods of Lee (1968)
    * Reggay Blast Off (1969)
    * Reggay Eyes (1969)
    * Tighten Up (1969)
    * Goin&#039; Places (1970)
    * Reggay Splash Down (1971)
    * Reggay Hot Cool and Easy (1972)
    * Reggay Roun&#039; The World (1973)
    * Reggae Fever (1974)
    * Dancing Is Forever (1974)
    * Carnival in Trinidad (1974)
    * Carnival 75 (1975)
    * Disco Reggae (1975)
    * The Midas Touch (1975)
    * Reggay International (1976)
    * Six Million Dollar Man (1976)
    * This Is Carnival (1976)
    * Art of Mas (1977)
    * Jamaica&#039;s Golden Hits (1977)

	

    * More Carnival (1978)
    * Reggae Hits (1978)
    * Carnival Experience (1979)
    * Soca Carnival (1980)
    * Carnival 81 (1981)
    * Byron 1982 (1982)
    * Soft Lee Vol 1 (1983)
    * Soul Ska (1983)
    * Carnival City 83 (1983)
    * Original Rock Steady Hits (1984)
    * Jamaica&#039;s Golden Hits Vol 2 (1984)
    * Heat in De Place (1984)
    * Christmas In the Tropics (1984)
    * Wine Miss Tiny (1985)
    * Soca Girl (1986)
    * De Music Hot Mama (1988)
    * Soca Bacchannal In The City (1989)
    * Wine Down (1992)
    * Soca Thunder (1992)
    * Soca Butterfly (1994)
    * Soca Tatie (1995)
    * Soca Engine (1996)
    * Soca Greatest Hits (1997)
    * Trinidad Tobago Carnival City (1997)
    * Socarobics (1997)
    * Soca Frenzy (1998)
    * Soca Tremor (1999)
    * Soca Fire Inna Jamdown Stylee
    * Jump and Wave For Jesus (1999)
    * Soca Thriller (2000)</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Byron">Byron</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Lee">Lee</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=&">&</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=The">The</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Dragonaires">Dragonaires</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Tiny">Tiny</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Winey">Winey</a> <br />Date: 2008-12-14<br/></p><br /><hr>    ]]>
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  <author>TheTeam</author>
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<item>
  <title>Ahmir - When You Look Me In The Eyes</title>
  <link>http://www.kideso.co.uk/kvp/video/136/Ahmir--When-You-Look-Me-In-The-Eyes</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/3_136.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>AHMIR is a male contemporary R;B group based in Boston, Massachusetts. AHMIR is the #1 most popular R;B group on YouTube. The group is currently unsigned to a record label. The members of AHMIR consist of &quot;Sing-Sing&quot; (from Philadelphia, PA), &quot;Big Mike&quot; from (Harlem, NY), &quot;Mr. Jones&quot; (from Boston, MA) and &quot;KC&quot; (from Rochester, NY). AHMIR is managed by Michael J. Cheung, president of Chino World Management, Inc.Several years ago, Mr. Jones and Big Mike formed a friendship in Boston based on mutual respect for one another&#039;s talents. Big Mike made his way to Boston by attending Boston University. Michael Cheung, who is the current manager for AHMIR, had also developed a friendship with Mr. Jones while attending Boston University. Before long Mr. Jones, Big Mike and Michael Cheung each shared a vision of developing a male R;B group. Shortly thereafter, Michael Cheung brought in KC through auditions and Sing-Sing was scouted by Big Mike at a show at Berklee College of Music where he was a student.AHMIR gained in popularity in 2006 with their hit single, &quot;Welcome To My Party.&quot; Although being an unsigned group, the single was announced as being the #19 top selling R;B Hip Hop Single of 2006 on Billboard&#039;s year-end chart. In addition, the track was deemed eligible for a 2007 Soul Train Music Award for Best R;B Track. Billboard featured them in an article entitled &quot;They&#039;re Next&quot; as the group won the &quot;We Hear The Future&quot; Showcase at the annual Billboard R;B Hip Hop Conference in Atlanta. AHMIR&#039;s notoriety also grew with their song entitled &quot;The Wedding Song&quot;. &quot;The Wedding Song&quot; circulated quickly via Internet websites such as Myspace and a music video for the song on YouTube. Both songs were included on the group&#039;s debut album, &quot;The Gift&quot; which was released independently on April 11, 2007. &quot;The Gift&quot; was re-released on February 19, 2008 with 3 new tracks. This included the single &quot;Angel&quot;, &quot;No Place Like Home&quot;, and an acapella version of &quot;No Place Like Home&quot;. &quot;No Place Like Home&quot; garnered honors as a finalist for the International Songwriting Competition and winner for the R;B Category of the USA Songwriting Competition.

On June 26, 2007, AHMIR performed on the NBC TV Series America&#039;s Got Talent. They made it to the Top 35 round in Las Vegas. On the show, they mentioned that the word AHMIR is Arabic for prince (Amir / Emir in Arabic أمير)

Two international tours increased AHMIR&#039;s global fanbase. The tours were entitled &quot;The Welcome To My Party Tour&quot; and &quot;Comeback Tour&quot; which included cities such as Berlin, Cologne, Hamburg, Linz, and Düsseldorf. AHMIR has opened for major recording artists such as John Legend, Busta Rhymes, 112, Jagged Edge and Boyz II Men and have been the recipient of many awards.

In 2009, AHMIR became the #1 most popular R;B group on the website YouTube through an array of unique covers of contemporary top-charting songs, parodies, original music, and video blogs. As of December 2009, AHMIR&#039;s total video views on YouTube totaled more than 10,000,000. The popularity of AHMIR&#039;s covers such as Miley Cyrus&#039; &quot;The Climb&quot; have led to online praise by celebrities such as Ryan Seacrest, Ashton Kutcher, Demi Lovato, Owl City, Brian J. White, Tiffany Thornton, Joe Jonas of the Jonas Brothers, and Michael Mauldin father of Jermaine Dupri and industry veteran. AHMIR&#039;s growing presence on YouTube led to the release of the &quot;AHMIR - Covers Collection Vol. 1&quot;.

The group is also an advocate of several charity organizations including American Red Cross, Songs of Love, Autism Speaks, American Cancer Society, St. Jude Children&#039;s Research Hospital, Words Matter, Yele Haiti and the YMCA. AHMIR has been seen performing at benefit concerts and dedicating songs on YouTube to bring awareness to these charities. They also appear in We Are The World 25 for Haiti (YouTube Edition) produced and edited by Lisa Lavie and Iman Crosson.

In 2010, AHMIR had their world premiere single &quot;Come Back&quot;. The song was written by band member Sing-Sing and produced by Big Dawg Productions (EMI) and Spikey Spike / Ahmir Music / Bos. America. The music video was directed by Conner Daly (ConnorBear Films).Media coverage

    * Television performances include the Fox Morning News, New England Cable News (NECN) Morning Show and Backstage with Barry Nolan on Comcast CN8.

    * Several newspapers in their home base of Boston have covered the success of AHMIR including: The Boston Globe - &quot;Ahmir - Out of Nowhere, They&#039;ve Topped Topped the Charts&quot; April 11, 2007, &quot;They&#039;ve Got Talent&quot; July 16, 2007; The Boston Herald - &quot;The Perfect Gift&quot; July 14, 2007; and the Boston Metro - &quot;Ahmir&#039;s Got Talent&quot; July 16, 2007.

    * The magazine VIBE also featured AHMIR in their September 2007 issue as an &quot;Artist of the Month&quot; feature with BlackPlanet.com

    * AHMIR appeared on the BET show 106 ; Park on February 13, 2008, where they won the weekly Wild-Out Wednesday competition in the male R;B Group category with 45% of national audience online voting.
Awards

    * &quot;Best R;B Group&quot; at the New England Urban Music Awards
    * Overall winner at the Worcester Idol Competition
    * First place at the Urban Explosion Talent Competition in NYC held by Urban Threshold
    * &quot;Best Male R;B Group or Duo&quot; at the 4th Annual Underground Music Awards in New York City
    * Winner at the &quot;We Hear the Future&quot; Showcase ; Competition at the Billboard R;B Hip Hop Conference in Atlanta
    * &quot;Best Album&quot; for The Gift at the New England Urban Music Awards</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Ahmir">Ahmir</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=-">-</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=When">When</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=You">You</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Look">Look</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Me">Me</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=In">In</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=The">The</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Eyes">Eyes</a> <br />Date: 2008-11-18<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
</item>
<item>
  <title>Busy Signal - Step Out RAW</title>
  <link>http://www.kideso.co.uk/kvp/video/309/Busy-Signal--Step-Out-RAW</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/2_309.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Busy Signal - Reanno Gordon, better known by his stage name, Busy Signal, is an artist from St Ann, Jamaica. He has also lived in Tivoli Gardens, Papine, Spanish Town and other areas in West and East Kingston Jamaica and is a past student of Brown&#039;s Town Comprehensive High School. Known as one of the artists leading the contemporary Dancehall movement, Busy Signal has been a large part of the scene since 2003. His first hit single, &quot;Step Out&quot;, was one of the most popular dancehall songs in 2005. A music video of Step Out was released shortly afterwards./nHe was nicknamed Busy Signal by his friends because of the fact that he is constantly busy. His hit tracks for 2007/2008 were &quot;Nah Go A Jail Again&quot;, &quot;Smoke Some High Grade&quot;, &quot;Tic Toc&quot; and the crazy track ripping the charts entitled &quot;Unknown Number&quot; has made tremendous airplay and dancehall reviews especially in the Caribbean and the U.S. He has released a hit dancehall album entitled Step Out./nOn The September 22, 2008, Busy Signal released his second studio album titled Loaded, a 15 track compilation of from Vp Records of well known dancehall hits such as &quot;Jail&quot;, &quot;Whine Pon Di Edge&quot;, These are the days among others as well as never heard before exclusive tracks such as &quot;People So Evil&quot;, &quot;Hustle Hard&quot; etc./nBusy Signal is also known as one of the most prominent artists of the Bounty Killer-led Alliance along with Mavado, Roderick (ROD) Douglas, Wayne Marshall and Bling Dawg. He was once at odds with fellow dancehall artist Aidonia where both exchange lyrical words but that didn&#039;t materialize in a clash. Later in 2008 dancehall artist Vybz Kartel produced various &quot;dis tracks&quot; aimed at Busy Signal and other alliance members, to which Busy responded with a few tracks.</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Busy">Busy</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Signal">Signal</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=-">-</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Step">Step</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Out">Out</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=RAW">RAW</a> <br />Date: 2008-11-30<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
</item>
<item>
  <title>Planet KiDeSo</title>
  <link>http://www.kideso.co.uk/kvp/video/564/Planet-KiDeSo</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/3_564.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Planet KiDeSo</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Planet">Planet</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=KiDeSo">KiDeSo</a> <br />Date: 2010-02-23<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
</item>
<item>
  <title>Alexandra Burke - Hallelujah</title>
  <link>http://www.kideso.co.uk/kvp/video/390/Alexandra-Burke--Hallelujah</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/2_390.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Alexandra Imelda Cecelia Ewan Burke (born 25 August 1988)  is an English singer and winner of the fifth series of UK television singing talent show The X Factor. Burke had previously auditioned for the 2005 series of the show, where she reached the last seven in her category but was not selected for the live shows.

Burke&#039;s prize, as winner, was a recording contract with Simon Cowell&#039;s Syco record label, which is co-owned Sony Music Entertainment. The contract has a stated value of £1 million, of which £150,000 is a cash advance and the remainder is allocated to recording and marketing costs.

On 15 December 2008, Burke became the current European record holder for single sales over a period of 24 hours, selling 105,000 copies of her debut single, &quot;Hallelujah&quot;, in one day. The figure beats that of her X Factor predecessor, Leona Lewis, who previously held the record for selling 82,000 copies of her single, &quot;A Moment Like This&quot;, over 24 hours. Hallelujah went on to become the Christmas number one single of 2008. It was also announced as the top-selling song of the year on the BBC Radio 1 Chart Show on 28 December 2008, beating The X Factor finalists&#039; song &quot;Hero&quot;. It is the first time that an X Factor winner has topped the end of year chart in the UK with their winner&#039;s single. Sales of &quot;Hallelujah&quot; passed 1 million by 9 January 2009, making Burke the first British female soloist to sell 1 million copies of a single in the UK.

Her debut album, Overcome, was released on 19 October 2009 and entered the charts at number one. It will be released in the US at a later date. Lead single and BRIT-nominated single &quot;Bad Boys&quot; featuring Flo Rida was released on 12 October 2009 and debuted at number-one in the UK, becoming her second consecutive number-one single. The single was released to European markets in early 2010 and charted well in the top tens, and twenties in many countries. Alexandra has enjoyed a total of seven non-consecutive weeks at Number 1 on the UK Singles Chart (three with &quot;Hero&quot; with the X Factor Finalists of 2008, three with &quot;Hallelujah&quot;, and one with &quot;Bad Boys&quot;). She has been nominated for two BRIT Awards. She has achieved two number one singles (&quot;Hallelujah&quot; and &quot;Bad Boys&quot;) as well as two number one singles as a featured artist (&quot;Hero&quot; and &quot;Everybody Hurts&quot; chartity singles).Early life

Burke was born on 25 August 1988 in Islington, London. Her middle names come from her great grandmother (Imelda) and grandfather (Cecil) and her mother&#039;s maiden name (Ewan). She is the daughter of Jamaican-born David Burke and British-born Melissa Bell of Jamaican, Irish and Dougla descent, who is a former Soul II Soul member. Her parents split up when she was six. She has lived in Islington all of her life and has four brothers and one sister.

Burke started singing when she was five and, prior to The X Factor, had no professional vocal training. At nine years old, she sang on stage in Bahrain with her mother. At the age of twelve, Burke entered the TV talent show Star for a Night where she was the youngest person in the competition. She was beaten to the number-one spot by Joss Stone. At age twelve, she also sang down the phone to Stevie Wonder. When Burke&#039;s mother asked her to sing to Jean Carne, Carne was so impressed that she asked her to perform at her show the next night.

Burke attended Elizabeth Garrett Anderson School in Islington and after her GCSEs she left school to pursue a career in music. Before her X Factor success, she had been working as a singer, gigging at weekends in clubs. She also went on tour with &quot;Young Voices&quot;, a charity that raises money for children with leukemia, where she performed at large venues such as the Royal Albert Hall.2005

Burke auditioned for the second series of The X Factor in 2005 (which was eventually won by Shayne Ward). She made it through to the final seven in Louis Walsh&#039;s 16–24 category, effectively the top 21 of the competition; however, Walsh did not choose her for his final four as he felt that she was too young for the competition.2008

Burke&#039;s second bid to win The X Factor came in 2008. Falling into the &quot;Girls&quot; category, she was mentored by Girls Aloud&#039;s Cheryl Cole who selected her for the finals—a series of ten weekly live shows in which contestants are progressively eliminated by public vote. On the first live show, Burke performed Whitney Houston&#039;s classic &quot;I Wanna Dance with Somebody&quot;. For the second live show she covered &quot;I&#039;ll Be There&quot; by The Jackson 5. In week three, big band week, Burke performed Christina Aguilera&#039;s &quot;Candyman&quot; and received her first standing ovation. For the disco-themed fourth live show, Burke performed Donna Summer&#039;s &quot;On the Radio&quot;. During Mariah Carey week on 8 November, Burke and the other finalists met Carey for individual masterclasses, with Carey complimenting Burke on her voice. Burke performed &quot;Without You&quot; and received a standing ovation from the judges who all gave her positive comments. Cowell commented that &quot;by any standard, that was just outstanding&quot;. Following the show Burke&#039;s performance was also praised by Carey who called her rendition of the song &quot;absolutely amazing&quot;.

In weeks 6 and 7, Burke received positive comments from the judging panel for her performances of Joe Cocker&#039;s &quot;You Are So Beautiful&quot; and Dan Hartman&#039;s &quot;Relight My Fire&quot; (the popularity of which in the UK is mostly a result of Take That&#039;s 1993 revival thereof). Week 8 saw her replace Diana Vickers as the bookies&#039; favourite after performing Britney Spears&#039; &quot;Toxic&quot; and Beyoncé Knowles&#039; &quot;Listen&quot;, for which she received yet another standing ovation. In week 9, Burke performed Rihanna&#039;s hit song &quot;Don&#039;t Stop the Music&quot; and again received positive comments, with Louis calling her &quot;the British Beyoncé&quot; and Simon commenting &quot;...We may be seeing the birth of a star here  you&#039;ve got it all, that was a terrific performance&quot;. Diana Vickers was eliminated in the semi-final, to the shock and upset of both Burke and Eoghan Quigg. Burke confessed after Vickers&#039; final performance that she thought Vickers was going to win.

Burke was joined in the grand final by Irish teenager Eoghan Quigg and boyband JLS. She sang &quot;Listen&quot; as a duet with Beyoncé (who later performed her UK number-one single &quot;If I Were a Boy&quot;), and after performing with the American singer she proclaimed: &quot;I have achieved a dream&quot;.2008–2009: Hallelujah

After the elimination of Quigg she sang what became her debut single, a 1984 song by Leonard Cohen, Hallelujah, for the first time. Finally, with over eight million votes cast in total, Burke was revealed as the winner with 58% of the final vote. The single went on to become the Christmas number one of 2008, holding the top spot for three weeks and selling one million copies. There was also a campaign to take Jeff Buckley&#039;s cover of Hallelujah to the top of the Christmas chart to deny Burke the top spot. The campaign was fuelled by Jeff Buckley fans&#039; dislike of The X Factor&#039;s commercialism and the song&#039;s arrangement, as well as a desire by this contingent to introduce younger music fans to Buckley&#039;s version. Burke herself was not enamoured of the choice of song, remarking &quot;It just didn’t do anything for me&quot;.On 13 February 2009 it was reported that Burke signed a £3.5 million, five-album US record deal with Epic Records.  Burke&#039;s first album was originally scheduled for March 2009 however, Simon Cowell confirmed that her album was scheduled for release later in the year to allow Burke to polish her skills and find the right songs for the album and that it would not be rushed, as previously happened with Leona Lewis&#039; debut album. The album was released on 19 October 2009 in the UK, titled Overcome.

Burke&#039;s first commercial single from her debut album is titled &quot;Bad Boys&quot; which features Flo Rida. The single premiered in the UK on The Chris Moyles Show on BBC Radio 1 on 25 August 2009. On 18 October 2009 Bad Boys topped the UK Singles Chart. After visiting Burke in the studio, Beyoncé spoke of possibly recording a duet with Burke and also for Burke to join her for Beyonce&#039;s second European leg of her I Am… Tour. Bad Boys was certified Platinum by the British Phonographic Industry on 7 January 2010.

American rapper 50 Cent has expressed an interest in Burke, correctly predicting that she would win The X Factor and invited her to appear in an upcoming music video of his, most likely for a song from his upcoming album Before I Self Destruct. On 19 July 2009, Burke confirmed that she had signed a six figure contract with Italian fashion designers Dolce ; Gabbana, to become the face of a new fashion line. She will also model their clothes and accessories in her music videos. Burke performed on the Royal Variety Show on 7 December 2009.

It was confirmed by Burke on 17 November 2009, that &quot;Broken Heels&quot; will be the 2nd commercial single, (3rd overall), from Overcome. She also confirmed via her Official Twitter page that the video was shot in Los Angeles on 22 and 23 November 2009. The single was released on 18 January 2010. Burke appeared on the The Paul O&#039;Grady Show on 3 November 2009 to perform &quot;The Silence&quot;. She performed on the penultimate episode on 17 December 2009 singing &quot;Broken Heels&quot;. She also performed on So You Think You Can Dance on 16 January and GMTV on 19 January 2010.

On January 18th 2010, Burke began her European Promo Tour in Brussels, Belgium.  The tour lasted for 2 weeks and covered all major European cities including Amsterdam, Copenhagen, Stockholm, Berlin, Vienna, Zurich, Milan and Paris. Since her launch in Europe, Burke&#039;s single Bad Boys has charted in the top 20 on several European charts and charted at #1 in Poland. She returned to Poland on February 23rd 2010 to continue her European promotion.

Burke signed a five album £3.5 million American recording deal with Epic Records in February 2009. She has also has revealed that she is working on the US version of Overcome due to be released in April 2010. Burke and RedOne also revealed on their Twitter pages that they were working on new tracks for the US version of Overcome. Burke said that the music videos for her singles in the US would not be different to those released in the UK, Europe and Asia saying that &quot;Personally I think its wiser and cheap just to have one video for all markets&quot;.

On March 12, Alexandra confirmed on Twitter that &quot;All Night Long&quot; will be her new single, featuring Pitbull. Alexandra briefly appeared on Dancing on Ice during the show&#039;s fifth season and seventh week to help Emily Atack dance &quot;Bad Boys&quot;. Alexandra later appeared on the show during the semi-final, performing All Night Long.Following the 2010 Haiti earthquake, many celebrities, including Alexandra, wanted to help the suffering people of the country. Burke was confirmed for the Haiti Charity single, Everybody Hurts, commenting &quot;I hope the single raises lots of money. It&#039;s great that we can come together and do this. It&#039;s a very special song.&quot; Soon after, Alexandra revealed she would be travelling to Haiti so she can physically help the people out there, saying &quot;For me, singing two lines on a single doesn&#039;t mean I have really helped. I wanted to go out and physically help the kids. I&#039;m not a doctor, but I can give clothes, food and love. At least I&#039;ll be able to make a couple of kids smile.&quot; Alexandra visited and helped in the week beginning 8 February 2010, and posted two video blogs about her visit on YouTube.

Before her X Factor success, she went on tour with &quot;Young Voices&quot;, a charity that raises money for children with leukemia, where she performed at large venues such as the Royal Albert Hall.</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Alexandra">Alexandra</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Burke">Burke</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Hallelujah">Hallelujah</a> <br />Date: 2008-12-14<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
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<item>
  <title>Bob Marley &amp; The Wailers - Slave Driver</title>
  <link>http://www.kideso.co.uk/kvp/video/949/Bob-Marley--The-Wailers--Slave-Driver</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/3_949.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Most of Bob Marley&#039;s early music was recorded with Peter Tosh and Bunny Wailer, who together with Marley were the most prominent members of The Wailers. In 1972, Bob Marley had his first hit outside Jamaica when Johnny Nash covered his song \&quot;Stir It Up\&quot;, which became a U.K. hit. The 1973 album, Catch a Fire, was released worldwide, and sold well. It was followed by Burnin\&#039; which included the song \&quot;I Shot the Sheriff\&quot;, of which a cover version by Eric Clapton became a hit in 1974./nPeter Tosh and Bunny Wailer left The Wailers in 1974. Bob Marley proceeded with \&quot;Bob Marley ; the Wailers\&quot;, which included the Wailers Band and the I Threes. In 1975, he had his first own hit outside Jamaica with \&quot;No Woman, No Cry,\&quot; from the Natty Dread album. His subsequent albums, including Rastaman Vibration, Exodus, Kaya, Survival and Uprising, were big international sellers. Bob Marley has sold between 100 and 250 million records worldwide. Between 1991 and 2007 Bob Marley and The Wailers have sold in excess of 21 million records. These statistics did not begin to be collected until ten years after his death./nBob Marley ; The Wailers was a reggae band created by Bob Marley in 1974, after Peter Tosh and Bunny Wailer left the precursor band, The Wailers. The brothers Carlton (drums) and Aston \&quot;Family Man\&quot; Barrett (bass) – who had joined The Wailers four years earlier – chose to stay with Marley./nThe Barret brothers originally played with the Wailers while still in Lee \&quot;Scratch\&quot; Perry\&#039;s studio band The Upsetters /nBob Marley ; The Wailers consisted of Bob Marley himself as guitarist, songwriter and lead singer, the Wailers Band as the backing band, and the I Threes as backup vocalists. The Wailers Band included the brothers Carlton and Aston \&quot;Family Man\&quot; Barrett on drums and bass respectively, Junior Marvin and Al Anderson on lead guitar, Tyrone Downie and Earl \&quot;Wya\&quot; Lindo on keyboards, and Alvin \&quot;Seeco\&quot; Patterson on percussion. The I Threes, consisted of Bob Marley\&#039;s wife Rita Marley, Judy Mowatt and Marcia Griffiths./nSometimes, usually for marketing purposes, recordings are indiscriminately attributed to either \&quot;Bob Marley\&quot;, \&quot;The Wailers\&quot;, or \&quot;Bob Marley ; the Wailers\&quot;.</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Bob">Bob</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Marley">Marley</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=&">&</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=The">The</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Wailers">Wailers</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Slave">Slave</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Driver">Driver</a> <br />Date: 2010-03-11<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
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<item>
  <title>Prince – When Doves Cry</title>
  <link>http://www.kideso.co.uk/kvp/video/1660/Prince-–-When-Doves-Cry</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/3_1660.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Dig if u will the picture
Of u and I engaged in a kiss
The sweat of your body covers me
Can u my darling
Can u picture this?/nDream if u can a courtyard
An ocean of violets in bloom
Animals strike curious poses
They feel the heat
The heat between me and u/nHow can u just leave me standing?
Alone in a world that&#039;s so cold? (So cold)
Maybe I&#039;m just 2 demanding
Maybe I&#039;m just like my father 2 bold
Maybe you&#039;re just like my mother
She&#039;s never satisfied (She&#039;s never satisfied)
Why do we scream at each other
This is what it sounds like
When doves cry/nTouch if u will my stomach
Feel how it trembles inside
You&#039;ve got the butterflies all tied up
Don&#039;t make me chase u
Even doves have pride/nHow can u just leave me standing?
Alone in a world so cold? (World so cold)
Maybe I&#039;m just 2 demanding
Maybe I&#039;m just like my father 2 bold
Maybe you&#039;re just like my mother
She&#039;s never satisfied (She&#039;s never satisfied)
Why do we scream at each other
This is what it sounds like
When doves cry/nHow can u just leave me standing?
Alone in a world that&#039;s so cold? (A world that&#039;s so cold)
Maybe I&#039;m just 2 demanding (Maybe, maybe I&#039;m like my father)
Maybe I&#039;m just like my father 2 bold (Ya know he&#039;s 2 bold)
Maybe you&#039;re just like my mother (Maybe you&#039;re just like my mother)
She&#039;s never satisfied (She&#039;s never, never satisfied)
Why do we scream at each other (Why do we scream, why)
This is what it sounds like/nWhen doves cry
When doves cry (Doves cry, doves cry)
When doves cry (Doves cry, doves cry)/nDon&#039;t Cry (Don&#039;t Cry)/nWhen doves cry
When doves cry
When doves cry/nWhen Doves cry (Doves cry, doves cry, doves cry
Don&#039;t cry
Darling don&#039;t cry
Don&#039;t cry
Don&#039;t cry
Don&#039;t don&#039;t cry /nPrince (born Prince Rogers Nelson; June 7, 1958 in Minneapolis, Minnesota) is an American singer, songwriter, musician, and actor. He has been known under the unpronounceable symbol Prince logo.svg, which he used between 1993 and 2000. This name change invoked controversy and many referred to him as &quot;The Artist Formerly Known as Prince&quot;, often abbreviated to &quot;TAFKAP&quot;, or simply &quot;The Artist&quot; during that period./nAccording to Robert Larsen in his book, History of Rock and Roll, Prince is &quot;one of the most talented and commercially successful pop musicians of the last twenty years&quot;, producing ten platinum albums and thirty Top 40 singles during his career. Prince founded his own recording studio and label, writing, self-producing and playing most, or all, of the instruments on his recordings. In addition, Prince has been a &quot;talent promoter&quot; for the careers of Sheila E, Carmen Electra, The Time and Vanity 6, as well as writing songs that became hits for other artists including Chaka Khan, The Bangles, and Sinéad O&#039;Connor, making him one of the most successful artists in music history./nPrince is reported to have written more than one thousand songs, some of which have been released by Prince under pseudonyms or recorded and released by other artists.[citation needed] Prince also has hundreds of unreleased songs in his &quot;vault&quot;. He has won seven Grammy Awards, a Golden Globe, and an Academy Award. He was inducted into the Rock and Roll Hall of Fame in 2004, the first year he was eligible./nIn that same year Rolling Stone ranked Prince #28 on its list of the 100 Greatest Artists of All Time./nIn a poll by BBC 6Music listeners in April 2010, Prince was ranked the 8th best guitarist of the previous 30 years./nPrince&#039;s music has been influenced by R;B, soul, funk, rock, blues, New Wave, psychedelia, folk, jazz and hip hop. His artistic influences include Sly ; the Family Stone, Parliament-Funkadelic, Joni Mitchell, The Beatles, Miles Davis, Carlos Santana, Jimi Hendrix, James Brown, Duke Ellington, Curtis Mayfield, and Stevie Wonder. Prince pioneered the &quot;Minneapolis sound&quot;, a hybrid mixture of funk, rock, pop, R;B and New Wave that influenced other musiciansPrince Rogers Nelson was born June 7, 1958, in Minneapolis, Minnesota, to John L. Nelson and Mattie Shaw.  Prince&#039;s father was a pianist and songwriter and his mother was a jazz singer. Prince was named after his father, whose stage name was Prince Rogers, and who performed with a jazz group called the Prince Rogers Trio. In a 1991 interview with A Current Affair, Prince&#039;s father said, &quot;I named my son Prince because I wanted him to do everything I wanted to do.&quot;  Prince&#039;s childhood nickname was Skipper./nIn a PBS interview Prince told Tavis Smiley that he was &quot;born epileptic&quot; and &quot;used to have seizures&quot; when he was young. During the interview Prince also said that &quot;My mother told me, one day I walked into her and said mom I&#039;m not going to be sick anymore, and she said &#039;why?&#039; and I said; &#039;an angel told me so.&#039;&quot;/nPrince&#039;s sister Tika Evene (usually called Tyka) was born in 1960. Prince&#039;s parents then separated when Prince was ten years old and Prince lived with his father. Prince moved out after his father found him in bed with a female friend. Prince moved into the home of a neighbor, the Andersons, and befriended their son, Andre Anderson who later became known as André Cymone)./nPrince and Anderson joined Prince&#039;s cousin, Charles Smith, in a band called Grand Central while they were attending Minneapolis&#039;s Central High School (which later merged with South High School). Smith was later replaced by Morris Day on the drums. Prince played piano and guitar for the band which performed at clubs and parties in the Minneapolis area and was managed by the mother of one of the band members. Grand Central later changed its name to Champagne and started playing original music influenced by Sly ; the Family Stone, James Brown, Earth, Wind ; Fire, Miles Davis, Parliament-Funkadelic, Carlos Santana and Jimi Hendrix.
Career/nIn 1976, Prince created a demo tape with producer Chris Moon in Moon&#039;s Minneapolis studio. Unable to secure a recording contract, Moon brought the tape to Minneapolis businessman Owen Husney. Husney signed Prince, at the age of 17, to a management contract and helped Prince create a demo recording at Sound 80 Studios in Minneapolis using producer/engineer David Z. The demo recording, along with a press kit produced at Husney&#039;s ad agency, resulted in interest from several record companies including Warner Bros., A;M, and Columbia Records. With the help of Husney, Prince signed a recording contract with Warner Bros. records. Warner Bros. agreed to give Prince creative control for three albums and ownership of the publishing rights. Husney and Prince then left Minneapolis and moved to Sausalito, California where Prince&#039;s first album, For You, was recorded at the Record Plant recording studio. Subsequently, the album was mixed in Los Angeles and released in 1978.
 Musical beginnings: 1977–80/nIn 1977, Pepe Willie, the husband of Prince&#039;s cousin, Shantel, formed the band 94 East with Marcy Ingvoldstad and Kristie Lazenberry. Willie added Andre Cymone and Prince to the band. Prince composed music for the lyrics written by Willie and played guitar and keyboards on some studio recordings. Prince also wrote for 94 East including the song &quot;Just Another Sucker&quot;. The band recorded tracks which later became the album Minneapolis Genius – The Historic 1977 Recordings. In 1995, Willie released the album 94 East featuring Prince, Symbolic Beginning which included original recordings by Prince and Cymone./nPrince released the album For You on April 17, 1978. The album was written and performed by Prince, except for the song &quot;Soft and Wet&quot; which had lyrics co-written by Moon. According to the For You album notes Prince produced, arranged, composed and played all 27 instruments on the recording./nThe cost of recording the album was twice Prince&#039;s initial advance. Prince used the Prince&#039;s Music Co. to publish his songs. The single from the album reached #12 on the Hot Soul Singles chart and #92 on the Billboard Hot 100. The song &quot;Just as Long as We&#039;re Together&quot; reached #91 on the Hot Soul Singles chart./nIn 1979 Prince created a band which included André Cymone on bass, Dez Dickerson on guitar, Gayle Chapman and Doctor Fink on keyboards, and Bobby Z on drums. Their first show was at the Capri Theater on January 5, 1979. Warner Bros. executives attended the show but decided that Prince and the band needed more time to develop his music./nIn October 1979, Prince released a self-titled album, Prince, which was #4 on the Billboard Top R;B/Black Albums charts, and #22 on the Billboard 200, going platinum. It contained two R;B hits: &quot;Why You Wanna Treat Me So Bad?&quot; and &quot;I Wanna Be Your Lover&quot;. &quot;I Wanna Be Your Lover&quot; sold over a million copies, and reached #11 on the Billboard Hot 100, and #1 for two weeks on the Hot Soul Singles chart. Prince performed both these songs on January 26, 1980 on American Bandstand. On this album, Prince used Ecnirp Music – BMI.
 Controversy era: 1980–84/nIn 1980 Prince released the album, Dirty Mind, which he recorded in his own studio. The album was &quot;certified gold&quot; and the attendant single &quot;Uptown&quot; reached #5 on the Billboard Dance chart and #5 on the Hot Soul Singles charts. Prince was also the opening act for Rick James&#039; 1980 Fire it Up tour. Dirty Mind contained sexually explicit material, including the title song, &quot;Head&quot;, and the song &quot;Sister&quot;. In February 1981, Prince made his first appearance on Saturday Night Live, performing &quot;Partyup&quot;./nIn 1981 Prince released the album, Controversy. The songs on Controversy were published by Controversy Music – ASCAP a practice he continued until the Emancipation album in 1996./nIn 1981, Prince formed a &quot;side project&quot; band called The Time. The band released four albums between 1981 and 1990, with Prince writing and performing most of the instrumentation and backing vocals, with lead vocals by Morris Day./nIn 1982, Prince released a double album, 1999, which sold over three million copies. The title track was a protest against nuclear proliferation and became his first top ten hit in countries outside the U.S. Prince&#039;s &quot;Little Red Corvette&quot; was one of the first videos by a black artist played in heavy rotation on MTV./nThe song &quot;Delirious&quot; also placed in the top ten on the Billboard Hot 100 chart.
 The Revolution: 1984–87/nDuring this period Prince referred to his band as The Revolution. The band&#039;s name was also printed, in reverse, on the cover of 1999 inside the letter &quot;I&quot; of the word &quot;Prince&quot;. The band consisted of Lisa Coleman and Doctor Fink on keyboards, Bobby Z. on drums, Brown Mark on bass, and Dez Dickerson on guitar. Jill Jones, a backing singer, was also part of The Revolution line up for the 1999 album and tour. Following the 1999 Tour, Dickerson left the group for religious reasons. In the 2003 book Possessed: The Rise and Fall of Prince, author Alex Hahn says that Dickerson was reluctant to sign a three year contract and wanted to pursue other musical ventures. Dickerson was replaced by Wendy Melvoin, a childhood friend of Coleman. At first the band was used sparsely in the studio but this gradually changed during the mid-1980s./nPrince&#039;s 1984 album Purple Rain sold more than thirteen million copies in the U.S. and spent twenty-four consecutive weeks at #1 on the Billboard 200 chart. The film of the same name won an Academy Award and grossed more than $80 million in the U.S.
Prince performing in Brussels during the Hit N Run Tour in 1986/nSongs from the film were hits on pop charts around the world, while &quot;When Doves Cry&quot; and &quot;Let&#039;s Go Crazy&quot; reached #1 and the title track reached #2 on the Billboard Hot 100. At one point in 1984, Prince simultaneously had the number one album, single, and film in the U.S.; it was the first time a singer had achieved this feat. Prince won the Academy Award for Best Original Song Score for Purple Rain, and the album is ranked 72nd Rolling Stone&#039;s 500 Greatest Albums of All Time. The album is also part of Time magazine&#039;s All-Time 100 Albums./nAfter Tipper Gore heard her 12-year-old daughter Karenna listening to Prince&#039;s song &quot;Darling Nikki&quot;, she founded the Parents Music Resource Center. The center advocates the mandatory use of a warning label (&quot;Parental Advisory: Explicit Lyrics&quot;) on the covers of records that have been judged to contain language or lyrical content unsuitable for minors. The recording industry later voluntarily complied with this request./nIn 1985 Prince announced that he would discontinue live performances and music videos after the release of his next album. His subsequent recording Around the World in a Day, held the #1 spot on the Billboard 200 for three weeks./nIn 1986 his album Parade reached #3 on the Billboard 200 and #2 on the R;B charts. The first single, &quot;Kiss&quot;, reached #1 on the Billboard Hot 100. The song was originally written for a side project called Mazarati. That same year the song &quot;Manic Monday&quot;, which was written by Prince and recorded by The Bangles, reached #2 on the Hot 100 chart./nThe album Parade served as the soundtrack for Prince&#039;s second film, Under the Cherry Moon. Prince directed and starred in the movie, which also featured Kristen Scott Thomas. In 1986, Prince began a series of sporadic live performances called the Hit N Run Tour. The European tour went to Europe in the summer and ended that September in Japan./nAfter the tour Prince fired Wendy ; Lisa and replaced Bobby Z. with Sheila E.. Brown Mark quit the band while keyboardist Doctor Fink remained. Prince then recruited new band members Miko Weaver on guitar, Atlanta Bliss on trumpet, Eric Leeds on saxophone, Boni Boyer on keyboards, Levi Seacer, Jr. on bass and dancer Cat Glover.
 Solo again and spiritual rebirth: 1987–91/nPrior to the disbanding of The Revolution, Prince was working on two separate projects. The Revolution album, Dream Factory and a solo effort, Camille. Unlike the three previous band albums, Dream Factory included significant input from the band members and even featured a number of songs with lead vocals by Wendy ; Lisa, while the Camille project saw Prince create a new persona primarily singing in a sped up, female-sounding voice. With the dismissal of The Revolution, Prince consolidated material from both shelved albums, along with some new songs, into a three-LP album to be titled Crystal Ball. However, with the low sales of his previous two albums, Warner Bros. forced Prince to make the release a double album and Sign o&#039; the Times was released on March 31, 1987./nThe album peaked at #6 on the Billboard 200 albums chart. The first single, &quot;Sign o&#039; the Times&quot;, would chart at #3 on the Hot 100. The follow-up single, &quot;If I Was Your Girlfriend&quot; charted poorly at #67 on the Hot 100, but went to #12 on R;B chart. The third single, a duet with Sheena Easton, &quot;U Got the Look&quot; charted at #2 on the Hot 100, #11 on the R;B chart, and the final single &quot;I Could Never Take the Place of Your Man&quot; finished at #10 on Hot 100 and #14 on the R;B chart./nDespite the album receiving the greatest critical acclaim of any album in Prince&#039;s career, including being named the top album of the year by the Pazz ; Jop critics&#039; poll, album sales steadily declined, although it eventually sold 3.2 million copies. In Europe however, it performed well and Prince promoted the album overseas with a lengthy tour. Putting together a new backing band from the remnants of The Revolution, Prince added bassist Levi Seacer, Jr., Boni Boyer on keyboards, and dancer/choreographer Cat Glover to go with new drummer Sheila E. and holdovers Miko Weaver, Doctor Fink, Eric Leeds, Atlanta Bliss, and the Bodyguards (Jerome, Wally Safford, and Greg Brooks) for the Sign o&#039; the Times Tour. The tour was a huge success overseas, with Warner Bros. and Prince&#039;s managers wanting to bring it to the U.S. to resuscitate sagging sales of Sign o&#039; the Times, however Prince balked at a full U.S. tour, as he was ready to produce a new album. A compromise was made where he filmed the last two nights of the tour to be released in movie theaters as a concert film. Unfortunately, the film quality was deemed subpar and reshoots were performed at his Paisley Park studios. The film Sign o&#039; the Times was released on November 20, 1987. Much like the album, the film was critically praised (at least more than the previous year&#039;s Under the Cherry Moon); however, its box office receipts were minimal, and it quickly left theaters./nThe next album intended for release was to be The Black Album. More instrumental and funk and R;B themed than recent releases, The Black Album also saw Prince experiment with rap on the songs &quot;Bob George&quot; and &quot;Dead on It&quot;. Prince was set to release the album with a complete monochromatic black cover with only the catalog number printed, but at the last minute, even though 500,000 copies had been pressed, Prince had a spiritual epiphany that the album was evil and had it recalled, although it would later be released by Warner Bros. as a limited edition album in 1994. Prince went back in the studio for eight weeks and recorded Lovesexy./nReleased on May 10, 1988, Lovesexy serves as a spiritual opposite to the dark The Black Album. Every song is a solo effort by Prince, with exception of &quot;Eye No&quot; which was recorded with his backing band at the time, dubbed the &quot;Lovesexy Band&quot; by fans. Lovesexy would reach #11 on the Billboard 200 and #5 on the R;B albums chart. The lead single, &quot;Alphabet St.&quot;, peaked at #8 on the Hot 100 and #3 on the R;B chart, but finished with only selling 750,000 copies./nPrince again took his post-Revolution backing band (minus the Bodyguards) on a three leg, 84-show Lovesexy World Tour; that although played to huge crowds and were well received shows, lost money due to the expensive sets and props incorporated.
Prince performing during his Nude Tour in 1990/nIn 1989, Prince appeared on Madonna&#039;s studio album Like a Prayer, co-writing and singing the duet &quot;Love Song&quot; and playing electric guitar (uncredited) on the songs &quot;Like a Prayer&quot;, &quot;Keep It Together&quot;, and &quot;Act of Contrition&quot;. He also began work on a number of musical projects, including Rave Unto the Joy Fantastic and early drafts of his Graffiti Bridge film, but both were put on hold when he was asked by Batman director Tim Burton to record several songs for the upcoming live-action adaptation. Prince went into the studio and produced an entire nine-track album that Warner Bros. released on June 20, 1989. Batman peaked at #1 on the Billboard 200, selling 4.3 million copies. The single &quot;Batdance&quot; topped the Billboard and R;B charts./nAdditionally, the single &quot;The Arms of Orion&quot; with Sheena Easton charted at #36, and &quot;Partyman&quot; (also featuring the vocals of Prince&#039;s then-girlfriend, nicknamed Anna Fantastic) charted at #18 on the Hot 100 and at #5 on the R;B chart, while the love ballad &quot;Scandalous!&quot; went to #5 on the R;B chart. However, he did have to sign away all publishing rights to the songs on the album to Warner Bros. as part of the deal to do the soundtrack./nIn 1990, Prince went back on tour with a revamped band for his stripped down, back-to-basics Nude Tour. With the departures of Boni Boyer, Sheila E., the horns, and Cat, Prince brought in Rosie Gaines on keys, drummer Michael Bland, and dancing trio, The Game Boyz, Tony M., Kirky J., and Damon Dickson. The European and Japanese tour was a financial success with its short, greatest hits setlist. As the year progressed, Prince finished production on his fourth film, Graffiti Bridge, and the album of the same name. Initially, Warner Bros. was reluctant to fund the film, however, with Prince&#039;s assurances it would be a sequel to Purple Rain as well as the involvement of the original members of The Time, the studio greenlit the project. Released on August 20, 1990, the album reached #6 on the Billboard 200 and R;B albums chart. The single &quot;Thieves in the Temple&quot; reaching #6 on the Hot 100 and #1 on the R;B chart. The film, released on November 20, 1990, was a critical and box office flop, grossing just $4.2 million. After the release of the film and album, the last remaining members of The Revolution, Miko Weaver and Doctor Fink left Prince&#039;s band. Also from that album, &quot;Round and Round&quot; placed at number 12 on the U.S. charts and Number 2 on the R;B charts. The song featured the teenage Tevin Campbell (who also had a role in the film) on lead vocals.
 The New Power Generation and name change: 1991–94
Prince&#039;s Yellow Cloud Guitar at the Smithsonian Castle. Prince can be seen playing this guitar in the &quot;Gett Off&quot; video./n1991 marked the debut of Prince&#039;s new band, The New Power Generation. With guitarist Miko Weaver and long-time keyboardist Doctor Fink gone, Prince added bass player Sonny T., Tommy Barbarella on keyboards, and a brass section known as the Hornheads to go along with Levi Seacer (taking over on guitar), Rosie Gaines, Michael Bland, and the Game Boyz. With significant input from his band members, Diamonds and Pearls was released on October 1, 1991. Reaching #3 on the Billboard 200, Diamonds and Pearls saw the singles &quot;Gett Off&quot; chart at #21 on the Hot 100 and #6 on the R;B charts while &quot;Cream&quot; gave Prince his fifth U.S. number one single./n1992 saw Prince and The New Power Generation release his twelfth album, Prince logo.svg, bearing only an unpronounceable symbol on the cover (later copyrighted as Love Symbol #2). The album, generally referred to as Love Symbol, would peak at #5 on the Billboard 200. While the label wanted &quot;7&quot; to be the first single, Prince fought to have &quot;My Name Is Prince&quot; as he &quot;felt that the song&#039;s more hip-hoppery would appeal to the same audience&quot; that had purchased the previous album. Prince got his way but &quot;My Name Is Prince&quot; only managed to reach #36 on the Billboard Hot 100 and #23 on the R;B chart. The follow-up single &quot;Sexy MF&quot; fared worse, charting at #66 on the Hot 100 and #76 on the R;B chart. The label&#039;s preferred lead single choice &quot;7&quot; would be the album&#039;s lone top ten hit, reaching #7. Prince logo.svg would go on to sell 2.8 million copies worldwide./nAfter two failed attempts in 1990 and 1991, Warner Bros. finally released a greatest hits compilation with the three-disc The Hits/The B-Sides in 1993. The first two discs were also sold separately as The Hits 1 and The Hits 2. In addition to featuring the majority of Prince&#039;s hit singles (with the exception of &quot;Batdance&quot; and other songs that appeared on the Batman soundtrack), The Hits includes an array of previously hard-to-find recordings, notably B-sides spanning the majority of Prince&#039;s career, as well as a handful of previously unreleased tracks such as the Revolution-recorded &quot;Power Fantastic&quot; and a live recording of &quot;Nothing Compares 2 U&quot; with Rosie Gaines. Two new songs, &quot;Pink Cashmere&quot; and &quot;Peach&quot;, were chosen as promotional singles to accompany the compilation album./n1993 also marked the year in which Prince changed his stage name to the Love Symbol, which is a combination of the symbols for male  and female . Because the symbol is unpronounceable, he was often referred to as &quot;The Artist Formerly Known as Prince&quot;.
 Increased output: 1994–2000/nIn 1994, Prince&#039;s attitude towards his artistic output underwent a notable shift. He began to view releasing albums in quick succession as a means of ejecting himself from his contractual obligations to Warner Bros. The label, he believed, was intent on limiting his artistic freedom by insisting that he release albums more sporadically. He also blamed Warner Bros. for the poor commercial performance of the Love Symbol album, claiming that it was insufficiently marketed by Warner. It was out of these developments that the aborted Black Album was officially released, approximately seven years after its initial recording and near-release. The &quot;new&quot; release, which was already in wide circulation as a bootleg, sold relatively poorly./nFollowing that disappointing venture, Warner Bros. succumbed to Prince&#039;s wishes to release an album of new material, to be entitled Come. When Come was eventually released, it confirmed all of Warner&#039;s fears. It became Prince&#039;s poorest-selling album to date, struggling to even shift 500,000 copies. Even more frustrating was the fact that Prince insisted on crediting the album to &quot;Prince 1958–1993&quot;./nPrince pushed to have his next album The Gold Experience released simultaneously with Love Symbol-era material. Warner Bros. allowed the single &quot;The Most Beautiful Girl in the World&quot; to be released via a small, independent distributor, Bellmark Records, in February 1994. The release was successful, reaching #3 on the U.S. Billboard Hot 100 and #1 in many other countries, but it would not prove to be a model for subsequent releases. Warner Bros. still resisted releasing The Gold Experience, fearing poor sales and citing &quot;market saturation&quot; as a defense. When eventually released in September 1995, The Gold Experience failed to sell well, although it reached the top 10 of the Billboard 200 initially, and many reviewed it as Prince&#039;s best effort since Sign o&#039; the Times.The album is now out-of-print. Chaos and Disorder, released in 1996, was Prince&#039;s final album of new material for Warner Bros., as well as one of his least commercially successful releases. Prince attempted a major comeback later that year when, free of any further contractual obligations to Warner Bros., he released Emancipation, a 36-song, 3-CD set (each disc was exactly 60 minutes long). The album was released via his own NPG Records with distribution through EMI. To publish his songs on Emancipation, Prince did not use Controversy Music – ASCAP, which he had used for all his records since 1981, but rather used Emancipated Music Inc. – ASCAP./nCertified Platinum by the RIAA, Emancipation is the first record featuring covers by Prince of songs of other artists: Joan Osborne&#039;s top ten hit song of 1995 &quot;One of Us&quot;; &quot;Betcha by Golly Wow!&quot; (written by Thomas Randolf Bell and Linda Creed); &quot;I Can&#039;t Make You Love Me&quot; (written by James Allen Shamblin II and Michael Barry Reid); and &quot;La-La (Means I Love You)&quot; (written by Thomas Randolf Bell and William Hart)./nPrince released Crystal Ball, a 5-CD collection of unreleased material, in 1998. The distribution of this album was disorderly, with some fans pre-ordering the album on his website up to a year before it was eventually shipped to them, and months after the record had gone on sale in retail stores. The retail edition has only four discs, as it is missing the &quot;Kamasutra&quot; disc. There are also two different packaging editions for retail, one being in a 4-disc sized jewel case with a simple white cover and the Love Symbol in a colored circle; the other is all four discs in a round translucent snap jewel case. The discs are the same, as is the CD jacket. The Newpower Soul album released three months later failed to make much of an impression on the charts. His collaboration on Chaka Khan&#039;s Come 2 My House, and Larry Graham&#039;s GCS2000, both released on the NPG Records label around the same time as Newpower Soul met with the same fate, despite heavy promotion and live appearances on Vibe with Sinbad, and the NBC Today show&#039;s Summer Concert Series./nIn 1999, Prince once again signed with a major label Arista Records to release a new record, Rave Un2 the Joy Fantastic. In an attempt to make his new album a success, Prince easily gave more interviews than at any other point in his career, appearing on MTV&#039;s Total Request Live (with his album cover on the front of the Virgin Megastore, in the background on TRL throughout the whole show), Larry King Live (with Larry Graham) and other media outlets. Nevertheless, Rave Un2 the Joy Fantastic failed to perform well commercially. A few months earlier, Warner Bros. had also released The Vault: Old Friends 4 Sale, a collection of unreleased material recorded by Prince throughout his career, and his final recording commitment on his contract with Warner Bros. The greatest success he had during the year was with the EP 1999: The New Master, released in time for Prince to collect a small portion of the sales dollars Warner Bros. had been seeing for the album and singles of the original 1999./nThe pay-per-view concert, Rave Un2 the Year 2000, was broadcast on December 31, 1999 and consisted of footage from the December 17 and December 18 concerts of his 1999 tour. The concert featured appearances by many guest musicians including Lenny Kravitz, George Clinton, Jimmy Russell, and The Time. It was released to home video the following year. A remix album, Rave In2 the Joy Fantastic (as opposed to &quot;Un2&quot;) was released exclusively through Prince&#039;s NPG Music Club in April 2000.
 Turnaround: 2000–05/nOn May 16, 2000, Prince ceased using the Love Symbol moniker and returned to using &quot;Prince&quot; again, after his publishing contract with Warner/Chappell expired. In a press conference, he stated that, after being freed from undesirable relationships associated with the name &quot;Prince&quot;, he would formally revert to using his real name. Prince still frequently uses the symbol as a logo and on album artwork and continues to play a Love Symbol-shaped guitar./nFor several years following the release of Rave Un2 the Joy Fantastic, Prince primarily released new music through his Internet subscription service, NPGOnlineLtd.com (later NPGMusicClub.com). Two albums that show substantive jazz influence were available commercially at record stores: 2001&#039;s The Rainbow Children, and the 2003 instrumental record N.E.W.S which was nominated for a Best Pop Instrumental Album Grammy Award. Another album of largely jazz-influenced music, Xpectation, was released via download in 2003 to members of the NPGMusicClub./nIn 2002, Prince released his first live album, One Nite Alone... Live!, which features performances from the One Nite Alone tour. The 3-CD box set, which also includes a disc of &quot;aftershow&quot; music entitled It Ain&#039;t Over!, failed to chart. During this time, Prince sought to engage more effectively with his fan base via the NPG Music Club, pre-concert sound checks, and at yearly &quot;celebrations&quot; at Paisley Park, his music studios. Fans were invited into the studio for tours, interviews, discussions and music-listening sessions. Some of these fan discussions were filmed for an unreleased documentary, directed by Kevin Smith. Smith discusses what happened during those days at length in his An Evening with Kevin Smith DVD. Performances were also arranged to showcase Prince&#039;s talents, as well as to collaborate with popular and well-established artists and guests including Alicia Keys, The Time, Erykah Badu, Nikka Costa, George Clinton, Norah Jones./nOn February 8, 2004, Prince appeared at the Grammy Awards with Beyoncé Knowles. In a performance that opened the show, Prince and Knowles performed a medley of &quot;Purple Rain&quot;, &quot;Let&#039;s Go Crazy&quot;, &quot;Baby I&#039;m a Star&quot;, and Knowles&#039; &quot;Crazy in Love&quot; to positive reviews. The following month, Prince was inducted into the Rock and Roll Hall of Fame. The award was presented to him by Alicia Keys along with Big Boi and André 3000 of OutKast. As well as performing a trio of his own hits during the ceremony, Prince also participated in a tribute to fellow inductee George Harrison in a rendition of Harrison&#039;s &quot;While My Guitar Gently Weeps&quot;, playing a long guitar solo that ended the song./nOn February 19, The Tavis Smiley Show broadcast included a performance of &quot;Reflection&quot; from Prince&#039;s Musicology album. Prince was accompanied by Wendy Melvoin, formerly of The Revolution./nIn April 2004, Prince released Musicology through a one-album agreement with Columbia Records. The album rose as high as the top five on a number of international charts (including the U.S, UK, Germany and Australia). The U.S. chart success was assisted by the CD being included as part of the concert ticket purchase, and each CD thereby qualifying (as chart rules then stood) towards U.S. chart placement./nThat same year, Rolling Stone magazine named Prince as the highest-earning musician in the world, with an annual income of $56.5 million, largely due to his Musicology Tour, which Pollstar named as the top concert draw among musicians in U.S. The artist played an impressive run of 96 concerts; the average ticket price for a show was U.S.$61. Further highlighting the success of the album, Prince&#039;s Musicology went on to receive two Grammy wins, for Best Male R;B Vocal Performance for &quot;Call My Name&quot; and Best Traditional R;B Vocal Performance for the title track. Musicology was also nominated for Best R;B Song and Best R;B Album, while &quot;Cinnamon Girl&quot; was nominated for Best Male Pop Vocal Performance. The album became the artist&#039;s most commercially successful since Diamonds and Pearls, partly due to a radical scheme devised which included in Billboard&#039;s sales figures those that were distributed to each customer during ticket sales for the Musicology tour, with concert figures accounting for 25% of the total album sales./nIn 2004, Rolling Stone magazine ranked Prince #28 on their list of the &quot;100 Greatest Artists of All Time&quot;./nIn April 2005, Prince played guitar (along with En Vogue singing backing vocals) on Stevie Wonder&#039;s single &quot;So What the Fuss&quot;, Wonder&#039;s first since 1999./nIn the aftermath of Hurricane Katrina, which devastated the city of New Orleans on August 29, 2005, Prince offered a personal response by recording two new songs, &quot;S.S.T.&quot; and the instrumental &quot;Brand New Orleans&quot;, at Paisley Park in the early hours of September 2. Prince again performed all instrumental and vocal parts. These recordings were quickly dispersed to the public via Prince&#039;s NPG Music Club, and &quot;S.S.T.&quot; was later picked up by iTunes, where it reached #1 on the store&#039;s R;B chart. On October 25, Sony Records released a version of the single on CD.
 Move to Universal: 2005–06/nIn late 2005 Prince signed with Universal Records to release his album, 3121, on March 21, 2006 (3/21). The first single was the Latin-tinged &quot;Te Amo Corazón&quot;, the video for which was directed by actress Salma Hayek and filmed in Marrakech, Morocco, featuring Argentine actress and singer Mía Maestro. The video for the second single, &quot;Black Sweat&quot;, was nominated at the MTV VMAs for Best Cinematography. The immediate success of 3121 gave Prince his first #1 debut on the Billboard 200 with the album./nTo promote the new album, Prince was the musical guest on Saturday Night Live on February 4, 2006, seventeen years after his last SNL appearance. He performed two songs from the album, &quot;Fury&quot; and &quot;Beautiful, Loved ; Blessed&quot;, with Támar. Prince also held a contest to win a trip to see a &#039;Purple Ticket Concert&#039; at his private residence in Hollywood, California. Seven winning tickets were placed inside 3121 CD packages in the U.S., and other tickets were given away in various contests on the Internet and around the world. On May 6, 2006, twenty-four prize winners (with a guest each) attended a star-studded private party and performance at Prince&#039;s home./nOn June 12, 2006, Prince received a Webby Lifetime Achievement Award in recognition of his &quot;visionary&quot; use of the Internet; Prince was the first major artist to release an entire album, 1997&#039;s Crystal Ball, exclusively on the Internet./nOnly weeks after winning a Webby Award, Prince abruptly shut down his official NPG Music Club website at 12:00 AM on July 4, 2006 after over five years of operation. The NPG Music Club sent out an email, claiming that &quot;in its current 4m there is a feeling that the NPGMC gone as far as it can go. In a world without limitations and infinite possibilities, has the time come 2 once again make a leap of faith and begin anew? These r ?s we in the NPG need 2 answer. In doing so, we have decided 2 put the club on hiatus until further notice.&quot; On the day of the music club&#039;s shutdown, a lawsuit was filed against Prince by the British company HM Publishing (owners of the Nature Publishing Group, also NPG). Despite these events occurring on the same day, Prince&#039;s attorney has called it pure coincidence and stated that the site did not close due to the trademark dispute./nPrince appeared at multiple award ceremonies in 2006. On February 15, 2006, Prince performed at the BRIT Awards along with Wendy ; Lisa and Sheila E. He played &quot;Te Amo Corazón&quot; and &quot;Fury&quot; from 3121 and &quot;Purple Rain&quot; and &quot;Let&#039;s Go Crazy&quot; from Purple Rain. On June 27, 2006, Prince appeared at the BET Awards, where he was awarded Best Male R;B Artist. In addition to receiving his award, Prince performed a medley of Chaka Khan songs for Khan&#039;s BET Lifetime Award. Prince had previously written and performed several songs with the singer. In November 2006, Prince was inducted into the UK Music Hall of Fame, appearing to collect his award but not performing. Also in November 2006, Prince opened a nightclub named 3121 in Las Vegas at the Rio All Suite Hotel and Casino. He performed weekly on Friday and Saturday nights until April 2007, when his contract with the Rio ended./nOn August 22, 2006, Prince released Ultimate. The double disc set contains one CD of previous hits, and another of extended versions and mixes of material that had largely only previously been available on vinyl record B-sides./nPrince wrote and performed a song for the hit 2006 animated film Happy Feet. The song, entitled &quot;The Song of the Heart&quot;, appears on the film&#039;s soundtrack, which also features a cover of Prince&#039;s earlier hit &quot;Kiss&quot;, sung by Nicole Kidman and Hugh Jackman. In January 2007, &quot;The Song of the Heart&quot; won a Golden Globe for Best Original Song. Prince arrived late, apparently due to traffic problems, and thus was unable to make an acceptance speech, but actor Hugh Grant prompted him later in the ceremony to take a bow.
 Current work: 2007–present
Prince&#039;s stage set for the Earth Tour in 2007/nOn February 2, 2007, Prince played at the Super Bowl XLI press conference. He and the band played a set comprising Chuck Berry&#039;s hit, &quot;Johnny B. Goode&quot;, &quot;Anotherloverholenyohead&quot; from Parade and &quot;Get On the Boat&quot; from 3121. Prince performed at the Super Bowl XLI halftime show in Miami, Florida on February 4, 2007. The performance consisted of three Purple Rain tracks (&quot;Let&#039;s Go Crazy&quot;, &quot;Baby I&#039;m a Star&quot; and the title track), along with cover versions of &quot;We Will Rock You&quot; by Queen, &quot;All Along the Watchtower&quot; by Bob Dylan, the Foo Fighters song &quot;Best of You&quot; and &quot;Proud Mary&quot; by Creedence Clearwater Revival. Coincidentally, Miami had rain on the day of the Super Bowl, which was lit purple during the performance of &quot;Purple Rain&quot;. He played on a large stage shaped as his famous symbol. The event was carried to 140 million television viewers, the largest audience of his life. On February 4, 2010, Billboard.com ranked the performance as the greatest Super Bowl performance ever./nPrince played 21 concerts in London during the summer of 2007. The &quot;Earth Tour&quot; included 21 nights at the 20,000 capacity O2 Arena. Tickets for the O2 Arena were priced at £31.21 (including a free copy of Prince&#039;s latest album), in order to make the concerts &quot;affordable for everybody&quot;. The residency at the O2 Arena was increased to 15 nights after all 140,000 tickets for the original seven sold out in just 20 minutes. It was then further extended to 21 nights./nOn May 10, 2007, Prince performed a &#039;secret&#039; gig at London&#039;s KOKO in front of a small crowd of fans and celebrities. Tickets went on sale that morning on a first-come-first-served basis (again at £31.21). A prelude to the forthcoming summer gigs in London, Prince played a relaxed set of classic hits (&quot;Kiss&quot;, changing the lyric from &quot;You don&#039;t have to watch Dynasty&quot; to Desperate Housewives, &quot;Girls ; Boys&quot;, and &quot;Nothing Compares 2 U&quot;) alongside more recent tracks, plus a well-received cover version of Gnarls Barkley&#039;s &quot;Crazy&quot;./nPrince made an appearance at the 2007 ALMA Awards, performing with Sheila E. in June 2007. On June 28, 2007, the UK national newspaper The Mail on Sunday revealed that it had made a deal to give Prince&#039;s new album, Planet Earth, away for free with an &quot;imminent&quot; edition of the paper, making it the first place in the world to get the album. This move sparked controversy among music distributors and also led the UK arm of Prince&#039;s distributor, Sony BMG, to withdraw from distributing the album in UK stores. The UK&#039;s largest high street music retailer, HMV, decided to stock the paper on release day due to the giveaway./nOn July 7, 2007 Prince returned to his hometown of Minneapolis to perform three shows in what was unofficially declared Prince Day in Minnesota. He performed concerts at the Macy&#039;s Auditorium (to promote his new perfume &quot;3121&quot;) on Nicollet Mall, the Target Center arena, and First Avenue. It was the first time he had played at First Avenue, the club made famous in the film Purple Rain, since 1987.
Prince at the Coachella Festival in 2008/nOn April 25, 2008, Prince performed on The Tonight Show with Jay Leno, where he debuted a new song, &quot;Turn Me Loose&quot;. Days after, he headlined the Coachella Festival 2008. Prince was paid more than $5 million for his performance at Coachella, according to Reuters./nPrince cancelled a concert, planned at Dublin&#039;s Croke Park on June 16, 2008, at just 10 days&#039; notice. In October 2009 promoters MCD Productions went to court to sue Prince for €1.6 million, after paying him $1.5 million, half his agreed fee of $3 million for the concert. MCD claim they had to refund 55,126 tickets purchased and its total losses exceeded $1.66 million. Prince&#039;s lawyers argued the MCD claim was &quot;greatly inflated&quot;. Prince settled the case out of court in February 2010 for $2.95 million. During the trial, it was revealed that Prince had been offered $22 million for seven concerts as part of a proposed 2008 European tour./nIn October 2008, Prince released a live album entitled Indigo Nights, as well as 21 Nights, an accompanying book of poems, lyrics and photos. The book chronicled his record-breaking tenure at London&#039;s O2 Arena in 2007, while the album is a collection of songs performed live at aftershows in the IndigO2./nOn December 18, 2008, Prince premiered four songs from his new album on LA&#039;s Indie 103 radio show, comprising a cover of &quot;Crimson and Clover&quot; by Tommy James and the Shondells, together with &quot;Colonized Mind&quot;, &quot;Wall of Berlin&quot; and &quot;4ever&quot;. The same day, another new Prince composition entitled &quot;(There&#039;ll Never B) Another Like Me&quot; premiered on the website, mplsound.com — replacing a shorter, instrumental version of the song which streamed several days previously./nOn January 3, 2009, a new website LotusFlow3r.com was launched, streaming some of the recently-aired material (&quot;Crimson and Clover&quot;, &quot;(There&#039;ll Never B) Another Like Me&quot; and &quot;Here Eye Come&quot;) and promising opportunities to listen to and buy music by Prince and guests, watch videos and buy concert tickets for future events. On January 31, Prince released two more songs on LotusFlow3r.com: &quot;Disco Jellyfish&quot;, and &quot;Another Boy&quot;. &quot;Chocolate Box&quot;, &quot;A Colonized Mind&quot;, and &quot;All This Love&quot; have since been released on the website.
Prince at the Grand Palais in Paris in 2009/nPrince released a triple album set containing LOtUSFLOW3R, MPLSoUND, and an album credited to his new protege, Bria Valente, called Elixer, on March 24, 2009, followed by a physical release on March 29. The release was preceded by performances on The Tonight Show with Jay Leno and The Ellen DeGeneres Show. It was released in other countries digitally, with official physical release dates yet to be announced. The album peaked at #2 on the Billboard 200, and critics&#039; opinions were mixed to positive./nOn July 18, 2009, Prince performed two shows at the Montreux Jazz Festival, being backed by The New Power Generation including Rhonda Smith, Renato Neto, and John Blackwell. There he premiered &quot;A Large Room With No Light&quot; which had been in Prince&#039;s vault for some time./nOn October 11, 2009, Prince gave two surprise concerts at the glass-and-iron Grand Palais exhibition hall after visiting the landmark Paris building on the banks of the Seine. On October 12, he gave another surprise gig at La Cigale. On October 24, Prince played a concert at his own Paisley Park complex in Minneapolis, Minnesota./nIn January 2010, Prince wrote a new song, &quot;Purple and Gold&quot;, inspired by his visit to a Minnesota Vikings football game against the Dallas Cowboys&quot;. The song is a simple, drumline-driven track with inspirational lyrics about victory. The following month, Prince let Minneapolis-area public radio station 89.3 The Current premiere his new song &quot;Cause and Effect&quot; as a gesture in support of independent radio.
 Personal life
Prince and Mayte at the NAACP Image Awards in 1996/nPrince has been romantically linked with many celebrities, including Kim Basinger, Madonna, Carmen Electra, and Anna Fantastic. He married his backup singer and dancer, Mayte Garcia, on Valentine&#039;s Day, 1996. They had one son named Boy Gregory, (born October 16, 1996) who was born with Pfeiffer syndrome and died a week after birth. They were divorced in 1999. On December 31, 2001, Prince married Manuela Testolini in a private ceremony, but she filed for divorce in May 2006./nPrince became one of Jehovah&#039;s Witnesses in 2001 following a two-year-long debate with friend and fellow Jehovah&#039;s Witness, musician Larry Graham. Prince said he didn&#039;t consider it a conversion, but a &quot;realization&quot;; &quot;It&#039;s like Morpheus and Neo in The Matrix&quot;, he explained. He attends meetings at a local Kingdom Hall and occasionally knocks on people&#039;s doors to discuss his new faith. Prince has reportedly needed double-hip-replacement surgery since 2005 but won&#039;t undergo the operation unless it is a bloodless surgery because Jehovah&#039;s Witnesses do not accept blood transfusions. The condition was worsened by years of dancing onstage in high-heeled boots. He now uses a diamond-studded cane to help him walk./nPrince is a vegan. In 2006 he was voted the &quot;world&#039;s sexiest vegetarian&quot; in PETA&#039;s annual online poll. The liner notes for his album Rave Un2 the Joy Fantastic featured a message about the cruelty involved in wool production./nPrince is a Minnesota Vikings football fan, owning a skybox at the Hubert Humphrey Metrodome and can be seen regularly at the games. He currently resides in Toronto, Canada./nIn 2008, Prince briefly talked about his personal views on religion and politics, which some have interpreted as opposing legal recognition of same-sex marriages 
 Stage names
Logo. Hollow circle above downward arrow crossed with a curlicued horn-shaped symbol and then a short bar
The unpronounceable symbol (later dubbed &quot;Love Symbol #2&quot;)./nIn 1993, during negotiations regarding the release of Prince&#039;s album The Gold Experience, a legal battle ensued between Warner Bros. and Prince over the artistic and financial control of Prince&#039;s output. During the lawsuit, Prince appeared in public with the word &quot;slave&quot; written on his cheek. Prince explained his name change as follows:/n    The first step I have taken towards the ultimate goal of emancipation from the chains that bind me to Warner Bros. was to change my name from Prince to the Love Symbol. Prince is the name that my mother gave me at birth. Warner Bros. took the name, trademarked it, and used it as the main marketing tool to promote all of the music that I wrote. The company owns the name Prince and all related music marketed under Prince. I became merely a pawn used to produce more money for Warner Bros... I was born Prince and did not want to adopt another conventional name. The only acceptable replacement for my name, and my identity, was the Love Symbol, a symbol with no pronunciation, that is a representation of me and what my music is about. This symbol is present in my work over the years; it is a concept that has evolved from my frustration; it is who I am. It is my name./n&quot;Prince&quot; is a trademark owned by Paisley Park Enterprises, Inc. It was initially filed with the United States Patent and Trademark Office (USPTO) in 2005 in the categories of printed materials, clothing, electronic commerce, and entertainment services based on first commercial in 1978 Various searches to the USPTO did not find any registrations or transfers of &quot;Prince&quot; or related names by Warner Bros. In 1991, PRN Music Corporation assigned the trademarks &quot;Prince&quot;, &quot;The Time&quot;, &quot;Paisley Park&quot;, &quot;New Power Generation&quot;, and &quot;Prince and the Revolution&quot; to Paisley Park Enterprises./nPrince has used pseudonyms to separate himself from the music (either his own or that of others) he has had input in; &quot;I was just getting tired of seeing my name,&quot; he said, &quot;If you give away an idea, you still own that idea. In fact, giving it away strengthens it. Why do people feel they have to take credit for everything they do? Ego, that&#039;s the only reason.&quot; These pseudonyms include: Jamie Starr and The Starr Company (for the songs he wrote for The Time and many other artists from 1981–1984), Joey Coco (for many unreleased Prince songs in the late 1980s, as well as songs written for Sheena Easton ; Kenny Rogers), Paisley Park (occasionally used in the early 1990s for his production credits on songs, including those written for Martika and Kid Creole), Alexander Nevermind (for writing the 1984 song &quot;Sugar Walls&quot; by Sheena Easton), and Christopher (used for his song writing credit of &quot;Manic Monday&quot; for The Bangles).
 Copyright issues/nIn 1995, Prince threatened to sue a 900 number, operated by Nathan Wright for his Purple Underground magazine phone line, for playing to the public for the first time segments of The Black Album. Prince&#039;s attorneys, Lavely ; Singer, demanded royalties in a cease and desist letter served to Wright. Instead Wright offered to work with Prince and split the profits. Wright and Prince&#039;s attorneys then worked on a deal to share profits but the deal never transpired (copies of these documents are available for verification). Instead, Prince started his own 900 number while Wright was able to continue his without any further action./nOn September 14, 2007, Prince announced that he was going to sue YouTube and eBay because they &quot;are clearly able (to) filter porn and pedophile material but appear to choose not to filter out the unauthorized music and film content which is core to their business success.&quot; Web Sheriff, the international Internet policing company he hired, told Reuters: &quot;The problem is that one can reduce it to zero and then the next day there will be 100 or 500 or whatever. This carries on ad nauseam at Prince&#039;s expense.&quot;/nIn October 2007, Stephanie Lenz filed a lawsuit against Universal Music Publishing Group, claiming they were abusing copyright law, after the music publisher had YouTube take down Lenz&#039;s home movie in which the Prince song &quot;Let&#039;s Go Crazy&quot; played faintly in the background./nOn November 5, 2007, several fan sites of Prince formed &quot;Prince Fans United&quot; to fight back against legal requests they claim Prince made to cease and desist all use of photographs, images, lyrics, album covers and anything linked to Prince&#039;s likeness. While Prince&#039;s lawyers claimed that the use of such representations constituted copyright infringement, the Prince Fans United claimed that the legal actions were &quot;attempts to stifle all critical commentary about Prince.&quot; A few days later, Prince released a statement denying the fansites&#039; claims, stating &quot;The action taken earlier this week was not to shut down fansites, or control comment in any way. The issue was simply to do with in regards to copyright and trademark of images and only images, and no lawsuits have been filed.&quot; The statement from AEG, Prince&#039;s promoter, asserted that the only &quot;offending items&quot; on the three fansites were live shots from Prince&#039;s 21 nights in London at the O2 Arena earlier in the year./nOn November 8, 2007, Prince Fans United received a song named &quot;PFUnk&quot;, providing a kind of &quot;unofficial answer&quot; to their movement. The song, originally debuted on the PFU main site, was retitled &quot;F.U.N.K.&quot;, and is available on iTunes./nOn November 14, 2007, it was reported that the satirical website b3ta.com had pulled their &quot;image challenge of the week&quot; devoted to Prince after legal threats from the star under the Digital Millennium Copyright Act. B3ta co-founder Rob Manuel wrote on the site: &quot;Under threat of legal action from Prince&#039;s legal team of &#039;potential closure of your web site&#039; - We have removed the Prince image challenge and B3ta apologises unreservedly to AEG / NPG and Prince for any offence caused. We also ask our members to avoid photoshopping Prince and posting them on our boards./nAt the 2008 Coachella Music Festival, Prince performed a cover of Radiohead&#039;s &quot;Creep&quot;, but immediately after he forced YouTube and other sites to remove footage that fans had taken of the performance, despite Radiohead&#039;s demand for it to remain on the website. Days later, YouTube reinstated the videos, while Radiohead claimed &quot;it&#039;s our song, let people hear it.&quot; In 2009, Prince put the video of that Coachella performance on his website LotusFlow3r.com.</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Prince">Prince</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=–">–</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=When">When</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Doves">Doves</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Cry">Cry</a> <br />Date: 2010-04-16<br/></p><br /><hr>    ]]>
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  <author>TheTeam</author>
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  <title>Bob Marley &amp; The Wailers - Stir It Up</title>
  <link>http://www.kideso.co.uk/kvp/video/951/Bob-Marley--The-Wailers--Stir-It-Up</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/3_951.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Most of Bob Marley\&#039;s early music was recorded with Peter Tosh and Bunny Wailer, who together with Marley were the most prominent members of The Wailers. In 1972, Bob Marley had his first hit outside Jamaica when Johnny Nash covered his song \&quot;Stir It Up\&quot;, which became a U.K. hit. The 1973 album, Catch a Fire, was released worldwide, and sold well. It was followed by Burnin\&#039; which included the song \&quot;I Shot the Sheriff\&quot;, of which a cover version by Eric Clapton became a hit in 1974./nPeter Tosh and Bunny Wailer left The Wailers in 1974. Bob Marley proceeded with \&quot;Bob Marley ; the Wailers\&quot;, which included the Wailers Band and the I Threes. In 1975, he had his first own hit outside Jamaica with \&quot;No Woman, No Cry,\&quot; from the Natty Dread album. His subsequent albums, including Rastaman Vibration, Exodus, Kaya, Survival and Uprising, were big international sellers. Bob Marley has sold between 100 and 250 million records worldwide. Between 1991 and 2007 Bob Marley and The Wailers have sold in excess of 21 million records. These statistics did not begin to be collected until ten years after his death./nBob Marley ; The Wailers was a reggae band created by Bob Marley in 1974, after Peter Tosh and Bunny Wailer left the precursor band, The Wailers. The brothers Carlton (drums) and Aston \&quot;Family Man\&quot; Barrett (bass) – who had joined The Wailers four years earlier – chose to stay with Marley./nThe Barret brothers originally played with the Wailers while still in Lee \&quot;Scratch\&quot; Perry\&#039;s studio band The Upsetters /nBob Marley ; The Wailers consisted of Bob Marley himself as guitarist, songwriter and lead singer, the Wailers Band as the backing band, and the I Threes as backup vocalists. The Wailers Band included the brothers Carlton and Aston \&quot;Family Man\&quot; Barrett on drums and bass respectively, Junior Marvin and Al Anderson on lead guitar, Tyrone Downie and Earl \&quot;Wya\&quot; Lindo on keyboards, and Alvin \&quot;Seeco\&quot; Patterson on percussion. The I Threes, consisted of Bob Marley\&#039;s wife Rita Marley, Judy Mowatt and Marcia Griffiths./nSometimes, usually for marketing purposes, recordings are indiscriminately attributed to either \&quot;Bob Marley\&quot;, \&quot;The Wailers\&quot;, or \&quot;Bob Marley ; the Wailers\&quot;.</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Bob">Bob</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Marley">Marley</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=&">&</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=The">The</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Wailers">Wailers</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Stir">Stir</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=It">It</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Up">Up</a> <br />Date: 2010-03-11<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
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  <title>Black The Ripper - WoW</title>
  <link>http://www.kideso.co.uk/kvp/video/1120/Black-The-Ripper--WoW</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/2_1120.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Black The Ripper (aka Samson, real name Dean West) is a highly respected and favoured hip-hop and grime MC from Edmonton N18, North London. Although previously known on the North London circuit he made his name in the infamous  Axe FM  clashes, where he duppied off numerous opponents consistently. Black The Ripper is one of the best emcees/artists in the scene at this time ; will be for years to come; setting high levels  with his consistent conscious bars and undeniable straight star quality that he brings to the mic./nBlack remains a solo artist although he has collaborated with many of the grime scene&#039;s biggest names, most notably his Motivation Music series with Cookie G and Chipmunk. He has also released 3 solo mixtapes - Black Is Beautiful and Holla Black (Samson Samson)and Afro Samuri. Black&#039;s style reflects a sense of self-determination, creative consciousness, and entrepreneurship using subversive style to shock as well as entertain; his work challenges orthodox thinking whilst sticking two fingers up at the establishment. His music and non-compromising lyrics reflect the environment he grew up in; the views expressed in his lyrics are largely a mixture of commentary on issues such as poverty, religion, and racism. Black affluently mixes autobiographical details about his life struggles and mind&#039;s battles with emotional honesty creating vivid visual and aural imagery for the mind to reflect upon. Much of his music is politically oriented too; as an Edmonton resident and a well-respected individual amongst Edmonton&#039;s youth, he has first hand experience of the issues facing our young people today. Known for his blend of street and popular style, Black speaks the truth with mind-clenching lyricism; his lyrics focusing on revolution, institutional racism, police, capitalism, education, prison systems, religion, activism against governmental repression, and corporate control over the media. He has a signature poetic style that accompanies an easily identifiable loose and easy flow with a talent for piling multiple rhymes on top of one another in quick succession. Black has proven that he is able to adapt well under any beat or producer and has been consistent in writing good quality lyrics and punch-lines, as well as using a sophisticated and adaptable flow./nAlthough he has been offered a deal with at least one record label, he has never signed to any. Black has voiced a desire to keep control over his production, and has made statements in his music that he is very aware that it is record companies, not the artists themselves, who profit the most from mass production and marketing of music. Black has released several mixtapes of high quality exceeding the industry standard without the help of a record label or distribution. He self-financed, manufactured, and sold copies of the records on the streets as well as personally distributing them to certain shops that specialise in Grime./nBlack&#039;s music is inspired by historical and often political figures such as Malcolm X, Martin Luther King, Che Guevara, Marcus Garvey, Haile Selassie I, Elijah Muhammad, Joel Augustus Rogers, Chancellor James Williams, Shiek Ante Diop, Ivan Van Sertima and Tupac Shakur to name a few. Black is a supporter of revolutionary principles and a prominent community activist in the struggle for racial pride and the creation of black political and cultural institutions to nurture and promote collective interests, advance black values, secure autonomy and increase black consciousness. He is also part of a community organisation called the &quot;I.E.G.D.C&quot; (Independent Edmonton Green Development Committee), which is a community-based group of young people working towards ensuring that funds intended for the procurement and management of youth facilities are allocated accordingly and that young people are given a say as to how these facilities are used (basically the whole point is to raise awareness about the lack of youth facilities in the Edmonton area and to hold Enfield Council accountable for smuggling away thousands of pounds of funds that should have been spent on youth facilities).</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Black">Black</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=The">The</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Ripper">Ripper</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=-">-</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=WoW">WoW</a> <br />Date: 2010-03-13<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
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  <title>Black The Ripper - My Minds Battle Can&#039;t Control It</title>
  <link>http://www.kideso.co.uk/kvp/video/1119/Black-The-Ripper--My-Minds-Battle-Cant-Control-It</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/1_1119.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Black The Ripper (aka Samson, real name Dean West) is a highly respected and favoured hip-hop and grime MC from Edmonton N18, North London. Although previously known on the North London circuit he made his name in the infamous  Axe FM  clashes, where he duppied off numerous opponents consistently. Black The Ripper is one of the best emcees/artists in the scene at this time ; will be for years to come; setting high levels  with his consistent conscious bars and undeniable straight star quality that he brings to the mic./nBlack remains a solo artist although he has collaborated with many of the grime scene&#039;s biggest names, most notably his Motivation Music series with Cookie G and Chipmunk. He has also released 3 solo mixtapes - Black Is Beautiful and Holla Black (Samson Samson)and Afro Samuri. Black&#039;s style reflects a sense of self-determination, creative consciousness, and entrepreneurship using subversive style to shock as well as entertain; his work challenges orthodox thinking whilst sticking two fingers up at the establishment. His music and non-compromising lyrics reflect the environment he grew up in; the views expressed in his lyrics are largely a mixture of commentary on issues such as poverty, religion, and racism. Black affluently mixes autobiographical details about his life struggles and mind&#039;s battles with emotional honesty creating vivid visual and aural imagery for the mind to reflect upon. Much of his music is politically oriented too; as an Edmonton resident and a well-respected individual amongst Edmonton&#039;s youth, he has first hand experience of the issues facing our young people today. Known for his blend of street and popular style, Black speaks the truth with mind-clenching lyricism; his lyrics focusing on revolution, institutional racism, police, capitalism, education, prison systems, religion, activism against governmental repression, and corporate control over the media. He has a signature poetic style that accompanies an easily identifiable loose and easy flow with a talent for piling multiple rhymes on top of one another in quick succession. Black has proven that he is able to adapt well under any beat or producer and has been consistent in writing good quality lyrics and punch-lines, as well as using a sophisticated and adaptable flow./nAlthough he has been offered a deal with at least one record label, he has never signed to any. Black has voiced a desire to keep control over his production, and has made statements in his music that he is very aware that it is record companies, not the artists themselves, who profit the most from mass production and marketing of music. Black has released several mixtapes of high quality exceeding the industry standard without the help of a record label or distribution. He self-financed, manufactured, and sold copies of the records on the streets as well as personally distributing them to certain shops that specialise in Grime./nBlack&#039;s music is inspired by historical and often political figures such as Malcolm X, Martin Luther King, Che Guevara, Marcus Garvey, Haile Selassie I, Elijah Muhammad, Joel Augustus Rogers, Chancellor James Williams, Shiek Ante Diop, Ivan Van Sertima and Tupac Shakur to name a few. Black is a supporter of revolutionary principles and a prominent community activist in the struggle for racial pride and the creation of black political and cultural institutions to nurture and promote collective interests, advance black values, secure autonomy and increase black consciousness. He is also part of a community organisation called the &quot;I.E.G.D.C&quot; (Independent Edmonton Green Development Committee), which is a community-based group of young people working towards ensuring that funds intended for the procurement and management of youth facilities are allocated accordingly and that young people are given a say as to how these facilities are used (basically the whole point is to raise awareness about the lack of youth facilities in the Edmonton area and to hold Enfield Council accountable for smuggling away thousands of pounds of funds that should have been spent on youth facilities).</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Black">Black</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=The">The</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Ripper">Ripper</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=My">My</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Minds">Minds</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Battle">Battle</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Can't">Can't</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Control">Control</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=It">It</a> <br />Date: 2010-03-13<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
</item>
<item>
  <title>Brig Feltus</title>
  <link>http://www.kideso.co.uk/kvp/video/28/Brig-Feltus</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/1_28.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Brig, (pronounced like a &quot;bridge&quot; over troubled water), an Angelina, and proud of it, is a storyteller extraordinaire, with her melodic tales of love, and self-discovery, she takes us for a long walk that pulls us in several directions. Her music speaks of influences such as early 20th century jazz and blues standards, mixed with 70&#039;s rock, folk, and soul and is accompanied by Brig&#039;s vocal styling which will holds the ghosts of Billie Holiday, Nina Simone, and many others. Think Jill Scott meets Sinead O&#039;Connor, meets the Red Hot Chili Peppers, meets Bjork. You might ask yourself if this strange conglomeration of flavors can possibly mix. But let your ears do the judging.
In her own words:
&quot;I have a dream. and you are in it. I want to share my music with the world. I want to provide the kind of music that makes you feel things. The kind of music that makes you smile, or cry, or laugh, or be horny, or angry, or resigned, or wiser, or stronger, or wanna shout from the rooftops whatever it is you feel. I want to be the kind of songwriter/performer whose music people hear God in. No matter what the subject, that you hear the divine in it. I want my music to make babies, and wedding vows, and survivors, and superwomen, and impactful men, and salvaged spirits. I want my music to be part of the soundtrack for your memories of this time in your life, years from now when you hear it. I want my music to make friends, and adversaries, and inspiration, and motivation, and free hearts. I want my music to make peace, and defiance, and determination, and solidarity. I want my music to make stands, and bumps, and grinds, and joyful undulations. I want my music to send love, and peace, and relativity. I want my music to make truth, and introspection, and sex, and electricity. I want my music to make thinking, and inspire creativity, and spark conversation. I want to make music that screams to be heard, to be danced to, to be sung out loud, to be quoted, to be felt in the depths of your secret places. I want to make music for myself and for you. I want my music to be part of the movement that brings back the power of this art form, because music should be powerful. I want it to be more than just a catchy tune, but rather a concoction of emotional notes blended together with poetry chronicaling the human experience. This is my dream and I want to share it with the world!&quot; You may also find her</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Brig">Brig</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Feltus">Feltus</a> <br />Date: 2008-08-19<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
</item>
<item>
  <title>Laden - Time To Shine</title>
  <link>http://www.kideso.co.uk/kvp/video/938/Laden--Time-To-Shine</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/3_938.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Laden, whose real name is Okeefe Aarons, went by the name Jim Laden when he placed eighth in Digicel Rising Stars in 2006. He says Rising Stars gave him a lot of exposure./n&quot;It did a lot for me. Rising Stars gave me crazy promotion on TV, 24/7, doing my original stuff and people loving it. The name Laden, people can identify who it is,&quot; he told THE STAR./nAfter his stint on Rising Stars, he went to Montego Bay but realised that the area was not ideal for a career in music. From there, he moved to Kingston and started working at Shocking Vibes Limited. At Shocking Vibes, he recorded Gone A Lead on the Canta Rhythm and the theme song for World Cup 2007 with Devonte./nHe started visiting Big Ship Records, where he says he made connections. In addition, he says they realised that he had potential. Soon after, he recorded Gal Coward on Stephen McGregor&#039;s Daybreak rhythm./n&quot;I voice dat song when ah sick. I know keys and I can hold my notes, so I don&#039;t need auto-tune. I was hungry for it, so I bleach at the studio. I record it about three in the morning.&quot;</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Laden">Laden</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=-">-</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Time">Time</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=To">To</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Shine">Shine</a> <br />Date: 2010-03-11<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
</item>
<item>
  <title>Bobby Brown - Two Can Play That Game</title>
  <link>http://www.kideso.co.uk/kvp/video/1238/Bobby-Brown--Two-Can-Play-That-Game</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/1_1238.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Robert Barisford &quot;Bobby&quot; Brown (born February 5, 1969) is a Grammy Award-winning American R;B singer-songwriter and dancer. After success in pop group New Edition, Brown began his solo career in 1987 and had a string of Top 10 Billboard hits, culminating in a Grammy Award. He was a pioneer of New Jack Swing music, a fusion of hip hop and R;B. His second album, Don&#039;t Be Cruel, included popular songs such as &quot;My Prerogative&quot;. Brown is the ex-husband of R;B singer Whitney Houston and starred in the reality show Being Bobby Brown.New Edition/nBobby Brown began his music career as a member of the R;B boy band New Edition which he founded along with childhood friend Michael Bivins . He is the youngest member of the group since the inception. The group&#039;s hits with Brown included &quot;Candy Girl&quot;, &quot;Cool It Now&quot;, and &quot;Mr. Telephone Man&quot;. Brown was voted out of New Edition in 1986 (similar to The Temptations&#039; David Ruffin in 1968) when the other four members felt that their careers would be jeopardized by Bobby&#039;s lewd, line-crossing on-stage antics. Throughout the All for Love tour, he feuded with Ralph Tresvant and cut in on Tresvant&#039;s lead vocals. In 1996, Brown rejoined the group for New Edition&#039;s comeback album, Home Again. In the middle of the tour, he engaged in further racy on-stage antics. He extended his solo set and cut into Bell Biv Devoe&#039;s time. During an interview, he admitted that he was intoxicated during the tour. Once again, he left New Edition. In the fall of 2005, New Edition performed at BET&#039;s 25th Anniversary Special. The group performed a medley of its greatest hits, and even brought Bobby Brown on stage for a rendition of &quot;Mr. Telephone Man&quot;. It was later announced on BET and Inside Hollywood that Bobby had rejoined the group and would be on the next group album. In January 2006, New Edition announced that the group would launch a new album and tour in 2008. Bobby also appeared at a concert in Columbia, South Carolina that New Edition had filmed for a future dvd release.
 Solo career/nAfter leaving New Edition in 1986, Brown released his first solo album, King of Stage, in 1986. This album included &quot;Girlfriend&quot;, a minor hit which went to #1 on the Billboard R;B charts and #57 on the Billboard Hot 100. Other than that, King of Stage did not garner much attention. However, Brown&#039;s next album, 1988&#039;s Don&#039;t Be Cruel rocketed him to super stardom. Working with the writing/producing team of L.A. Reid and Babyface, as well as Teddy Riley, Don&#039;t Be Cruel spawned five Top 10 Billboard Hot 100 singles: &quot;Don&#039;t Be Cruel&quot; (#8), &quot;Every Little Step&quot; (#3), &quot;Rock Wit&#039; Cha&quot; (#7), &quot;My Prerogative&quot; (#1, subsequently covered by Britney Spears in 2004), and &quot;Roni&quot; (#3). The album would eventually be certified 8x platinum (8,000,000 units sold)./nIn 1989, he contributed two songs (including &quot;On Our Own&quot;, which reached #2 on the Billboard Hot 100) to the Ghostbusters 2 soundtrack, in addition to making a cameo in the film. Brown has subsequently dabbled in acting./nIn between the &quot;On Our Own&quot; single and the release of Brown&#039;s next album, a remix album, Dance! Ya Know It! was released to capitalise on Brown&#039;s huge success at the time. A non-album &quot;megamix&quot; single was released to promote the project. The European dance-oriented version (sampling beats by Snap!) was titled &quot;The Freestyle Megamix&quot; and was a hit in the UK, reaching #14 on the Gallup charts. A more R&#039;n&#039;B oriented version called &quot;Every Little Hit Mix&quot; (b/w &quot;Roni) hit the Australian top 10/nBrown&#039;s third album, Bobby, did not arrive until 1992. It reached #2 on the Billboard album charts and produced the hit singles &quot;Humpin&#039; Around&quot; (#3 on the Billboard Hot 100) and &quot;Good Enough&quot; (#7) as well as a smaller hit in &quot;Get Away&quot; (#14). The album was eventually certified 1x platinum (1,000,000 units sold). However, it did not come close to matching the album sales or singles chart success of its predecessor./nBrown waited until 1997 to release his next (and to date, last) album of original material, Forever. The album was originally titled Bobby II and was supposed to be produced by such luminaries as R.Kelly, Teddy Riley, Sean Combs and Jimmy Jam and Terry Lewis. However, Brown negotiated 100% creative control of the album and decided to write all the songs himself. It only managed to climb to #61 on the Billboard Hot 200 album charts and produced no charting singles. There were hopes for a Brown comeback in 2002 when he appeared on the lead single &quot;Thug Lovin&#039;&quot; from rapper Ja Rule&#039;s third studio album The Last Temptation. There were even talks that Brown had signed with Murder, Inc. (now known as The Inc) records. In 2006 Brown appeared on &quot;Beautiful&quot;, the third single from Damian Marley&#039;s album Welcome to Jamrock.
 Heads of State/nAs of September 27, 2008, Brown began touring with fellow New Edition members Ralph Tresvant and Johnny Gill in a new group named Heads of State.
 Movies/nBrown starred in the 1996 movie, &quot;A Thin Line Between Love and Hate&quot;, along with Martin Lawrence and Lynn Whitfield. Brown also was in the 2001 movie, &quot;Two Can Play That Game&quot;, along with Vivica A. Fox and Morris Chestnut.
 Personal life/nThroughout the 1990s and early 2000s, Brown&#039;s legal and substance abuse troubles threatened to overshadow his music. In late 2003, Brown was arrested for misdemeanor battery, allegedly for striking Houston while shouting epithets. In February 2004, Brown was arrested and jailed in Georgia on a parole violation related to a previous drunk driving conviction./nBrown married Whitney Houston in July 1992. Together they have one daughter, Bobbi Kristina Houston-Brown, born on March 4, 1993. On September 13, 2006, Houston&#039;s publicist announced that after 14 years of marriage, Houston had filed for a legal separation from Brown. One month later, Houston officially filed for a divorce from Brown. It was ruled by a judge on April 4, 2007 that their marriage would be definitively dissolved on April 24, 2007, and that Whitney would receive custody of their then 14-year-old daughter. Bobby now has a new daughter with his new fiance, born shortly after his divorce from Houston./nIn June 2007, Brown took part in the ITV television series &quot;24 hours with...&quot;, a chat show format as celebrity and interviewer spend an intense 24 hours locked in a room together. The show&#039;s host, Jamie Campbell, asked Brown questions about his career and private life, and infamously joked about making &quot;sexual moves&quot; towards the singer. Brown was furious and threatened to beat up Jamie Campbell live on air./nOn October 9, 2007, he suffered a mild heart attack in Los Angeles, California. Brown complained of severe chest pains the night before and was taken to two different hospitals. Brown later announced that the story was not true and that he was actually in good health./nBrown&#039;s eldest son, Landon Brown, appeared on the MTV show Rock the Cradle. On February 3, 2009, it was announced Brown was expecting his fifth child with his girlfriend. His fifth child, a boy named Cassius, was born May 30, 2009./nOn August 14, 2009, an arrest warrant was issued for Bobby Brown after he failed to appear in a Massachusetts court on a contempt complaint. Norfolk County Probate and Family Court Judge Christina Harms ordered Brown arrested the next time the singer is in Massachusetts. He failed to appear at a June 29 hearing. The Boston Herald reported that Brown has fallen $45,000 behind in child support payments for the two teenage children he had with former girlfriend Kim Ward. There has been alleged suspicions that artist Bobby Brown has been involved in the use of crack cocaine with Whitney Houston. Brown claimed on an interview that he is also a heavy cannabis user due to fact that he has bipolar disorder.</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Bobby">Bobby</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Brown">Brown</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Two">Two</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Can">Can</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Play">Play</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=That">That</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Game">Game</a> <br />Date: 2010-03-30<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
</item>
<item>
  <title>Tracy Chapman - Fast Car</title>
  <link>http://www.kideso.co.uk/kvp/video/972/Tracy-Chapman--Fast-Car</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/3_972.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Tracy Chapman (born March 30, 1964) is an African American singer-songwriter, best known for her singles &quot;Fast Car&quot;, &quot;Talkin&#039; &#039;bout a Revolution&quot;, &quot;Baby Can I Hold You&quot;, &quot;Give Me One Reason&quot;, &quot;The Promise&quot; and &quot;Telling Stories&quot;. She is a multi-platinum and four-time Grammy Award-winning artist./nChapman was born in Cleveland, Ohio where she was raised by her mother. Despite not having much money, her mother recognized Tracy&#039;s love of music and bought her a ukulele at the age of three. Tracy Chapman began playing guitar and writing songs at the age of eight. She says she may have been first inspired to play the guitar by the TV Show Hee Haw./nChapman was raised Baptist and went to an Episcopalian high school. She was quickly accepted into the program A Better Chance, which enabled her to attend Wooster School in Connecticut; she subsequently attended Tufts University. At Tufts she graduated with a B.A. degree in anthropology and African studies./nIn the mid-90s Chapman dated author Alice Walker./nIn May 2004, Tufts honored her with an honorary degree of Doctor of Fine Arts, for her strongly committed contributions as a socially conscious and artistically accomplished musician./nChapman often performs at and attends charity events such as Make Poverty History, amfAR and AIDS/LifeCycle. She currently lives in San Francisco and says she enjoys going to the beach, going to the woods, a really good meal with friends, and fresh organic food. Chapman maintains a strong separation between her personal and professional lives. “I have a public life that’s my work life and I have my personal life,” she said. “In some ways, the decision to keep the two things separate relates to the work I do.&quot;
Career/nDuring college, Chapman began street-performing in Harvard Square and playing guitar in coffeehouses in Cambridge, Massachusetts. Another Tufts student, Brian Koppelman, heard Chapman playing and brought Chapman to the attention of his father, Charles Koppelman. Charles ran SBK Publishing and in 1986 signed Chapman. In 1987, after Chapman graduated from Tufts, he helped sign her to Elektra Records./nAt Elektra, she released Tracy Chapman (1988). The album was critically acclaimed, and she began touring and building a fanbase. Soon after she performed it at the televised Nelson Mandela 70th Birthday Tribute concert in June 1988, Chapman&#039;s &quot;Fast Car&quot; began its rise on the US charts, eventually becoming a #6 pop hit on the Billboard Hot 100. &quot;Talkin&#039; &#039;bout a Revolution&quot;, the follow-up, charted at #75 and was followed by &quot;Baby Can I Hold You&quot;, which peaked at #48. The album sold well, going multi-platinum and winning three Grammy Awards, including an honor for Chapman as Best New Artist. Later in 1988, Chapman was a featured performer on the worldwide Amnesty International Human Rights Now! Tour. According to the VH1 website, &quot;her album helped usher in the era of political correctness - along with 10,000 Maniacs and R.E.M., Chapman&#039;s liberal politics proved enormously influential on American college campuses in the late &#039;80s&quot;./nHer follow-up album Crossroads (1989) was less commercially successful, but still achieved platinum status. By 1992&#039;s Matters of the Heart, Chapman was playing to a small and devoted audience. However, her fourth album, 1995&#039;s New Beginning proved successful, selling over three million copies in the U.S. The album included the hit single &quot;Give Me One Reason&quot;, which won the 1997 Grammy for Best Rock Song and became Chapman&#039;s most successful single to date, peaking at #3 on the Billboard Hot 100. Her next album was 2000&#039;s Telling Stories, which featured more of a rock sound than folk. Its hit single, &quot;Telling Stories&quot;, received heavy airplay on European radio stations and on Adult Alternative and Hot AC stations in the United States. She toured Europe and the US in 2003 in support of her sixth album, Let It Rain (2002)./nWhere You Live, Chapman&#039;s seventh studio album, was released in September 2005; a brief supporting tour in major US cities followed in October and continued throughout Europe over the remainder of the year. The &quot;Where You Live&quot; tour was extended into 2006; the 28-date European tour featured summer concerts in Germany, Italy, France, Sweden, Finland, Norway, the U.K, Russia and more. On June 5, 2006, she performed at the 5th Gala of Jazz in Lincoln Center, New York, and in a session at the 2007 TED (Technology Entertainment Design) conference in Monterey, California./nChapman composed original music for the American Conservatory Theater production of Athol Fugard&#039;s Blood Knot, an acclaimed play on apartheid in South Africa staged in early 2008./nOn November 11, 2008, Atlantic Records released Chapman&#039;s eighth studio album, Our Bright Future. Following the album&#039;s release, Chapman completed a 26-date solo tour of Europe. She toured Europe and selected North American cities on an encore tour during the summer of 2009. She was backed by Joe Gore on guitars, Patrick Warren on keyboards, and Dawn Richardson on percussion. Gore and Richardson also reside in San Francisco.</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Tracy">Tracy</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Chapman">Chapman</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=-">-</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Fast">Fast</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Car">Car</a> <br />Date: 2010-03-11<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
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<item>
  <title>Elvis Presley - Heartbreak Hotel</title>
  <link>http://www.kideso.co.uk/kvp/video/282/Elvis-Presley--Heartbreak-Hotel</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/1_282.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Elvis Presley was born on January 8, 1935, in Tupelo, Mississippi, to Vernon Elvis and Gladys Love Presley. In the two-room shotgun house built by his father in readiness for the birth, Jesse Garon Presley, his identical twin brother, was delivered 35 minutes before him, stillborn. As an only child, Presley became close to both parents and formed an unusually tight bond with his mother. The family attended an Assembly of God church where he found his initial musical inspiration.

Presley&#039;s ancestry was primarily a Western European mix—Scots-Irish, with some French Norman; one of Gladys&#039;s great-great-grandmothers was Cherokee and, according to family accounts, one of her great-grandmothers was Jewish. Gladys was regarded by relatives and friends as the dominant member of the small family. Vernon moved from one odd job to the next, evidencing little ambition. The family often relied on help from neighbors and government food assistance. In 1938, they lost their home after Vernon was found guilty of altering a check written by the landowner. He was jailed for eight months, and Gladys and Elvis moved in with relatives.

In September 1941, Presley entered first grade at East Tupelo Consolidated, where his instructors regarded him as &quot;average&quot;. He was encouraged to enter a singing contest after impressing his schoolteacher with a rendition of Red Foley&#039;s country song &quot;Old Shep&quot; during morning prayers. The contest, held at the Mississippi-Alabama Fair and Dairy Show on October 3, 1945, saw his first public performance: dressed as a cowboy, the ten-year-old Presley stood on a chair to reach the microphone and sang &quot;Old Shep&quot;. He recalled placing fifth. A few months later, Presley received for his birthday his first guitar. He had hoped for something else—by different accounts, either a bicycle or a rifle. Over the following year, he received basic guitar lessons from two of his uncles and the new pastor at the family&#039;s church. Presley recalled, &quot;I took the guitar, and I watched people, and I learned to play a little bit. But I would never sing in public. I was very shy about it.&quot;

Entering a new school, Milam, for sixth grade in September 1946, Presley was regarded as a loner. The following year, he began bringing his guitar in on a daily basis. He would play and sing during lunchtime, and was often teased as a &quot;trashy&quot; kid who played hillbilly music. The family was by then living in a largely African American neighborhood. A devotee of Mississippi Slim&#039;s show on the Tupelo radio station WELO, Presley was described as &quot;crazy about music&quot; by Slim&#039;s younger brother, a classmate of Presley&#039;s, who often took him in to the station. Slim supplemented Presley&#039;s guitar tuition by demonstrating chord techniques. When his protégé was 12 years old, Slim scheduled him for two on-air performances. Presley was overcome by stage fright the first time, but succeeded in performing the following week.


Elvis Aaron (or Arona) Presley (January 8, 1935 – August 16, 1977) was one of the most popular American singers of the 20th century. A cultural icon, he is widely known by the single name Elvis. He is often referred to as the &quot;King of Rock and Roll&quot; or simply &quot;the King&quot;.

Born in Tupelo, Mississippi, Presley moved to Memphis, Tennessee, with his family at the age of 13. He began his career there in 1954 when Sun Records owner Sam Phillips, eager to bring the sound of African American music to a wider audience, saw in Presley the means to realize his ambition. Accompanied by guitarist Scotty Moore and bassist Bill Black, Presley was one of the originators of rockabilly, an uptempo, backbeat-driven fusion of country and rhythm and blues. RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who would manage the singer for over two decades. Presley&#039;s first RCA single, &quot;Heartbreak Hotel&quot;, released in January 1956, was a number one hit. He became the leading figure of the newly popular sound of rock and roll with a series of network television appearances and chart-topping records. His energized interpretations of songs, many from African American sources, and his uninhibited performance style made him enormously popular—and controversial. In November 1956, he made his film debut in Love Me Tender.

Conscripted into military service in 1958, Presley relaunched his recording career two years later with some of his most commercially successful work. He staged few concerts, however, and, guided by Parker, proceeded to devote much of the 1960s to making Hollywood movies and soundtrack albums, most of them critically derided. In 1968, after seven years away from the stage, he returned to live performance in a celebrated comeback television special that led to an extended Las Vegas concert residency and a string of profitable tours. In 1973, Presley staged the first concert broadcast globally via satellite, Aloha from Hawaii, seen by approximately 1.5 billion viewers. Prescription drug abuse severely compromised his health, and he died suddenly in 1977 at the age of 42.

Presley is regarded as one of the most important figures of 20th-century popular culture. He had a versatile voice and unusually wide success encompassing many genres, including country, pop ballads, gospel, and blues. He is the best-selling solo artist in the history of popular music. Nominated for 14 competitive Grammys, he won three, and received the Grammy Lifetime Achievement Award at age 36. He has been inducted into four music halls of fame.


Teenage life in Memphis

In November 1948, the family moved to Memphis, Tennessee. After residing for nearly a year in rooming houses, they were granted a two-bedroom apartment in the public housing complex known as the Courts. Enrolled at Humes High School, Presley received only a C in music in eighth grade. When his music teacher told him he had no aptitude for singing, he brought in his guitar the next day and sang a recent hit, &quot;Keep Them Cold Icy Fingers Off Me&quot;, in an effort to prove otherwise. A classmate later recalled that the teacher &quot;agreed that Elvis was right when he said that she didn&#039;t appreciate his kind of singing.&quot; He was generally too shy to perform openly, and was occasionally bullied by classmates who viewed him as a &quot;mama&#039;s boy&quot;. In 1950, he began practicing guitar regularly under the tutelage of Jesse Lee Denson, a neighbor two-and-a-half years his senior. They and three other boys—including two future rockabilly pioneers, brothers Dorsey and Johnny Burnette—formed a loose musical collective that played frequently around the Courts. That September, he began ushering at Loew&#039;s State Theater. Other jobs followed during his school years: Precision Tool, Loew&#039;s again, and MARL Metal Products.

During his junior year, Presley began to stand out more among his classmates, largely because of his appearance: he grew out his sideburns and styled his hair with rose oil and Vaseline. On his own time, he would head down to Beale Street, the heart of Memphis&#039;s thriving blues scene, and gaze longingly at the wild, flashy clothes in the windows of Lansky Brothers. By his senior year, he was wearing them. Overcoming his reticence about performing outside the Courts, he competed in Humes&#039;s &quot;Annual Minstrel&quot; show in April 1953. Singing and playing guitar, he opened with &quot;Till I Waltz Again With You&quot;, a recent hit for Teresa Brewer. Presley recalled that the performance did much for his reputation: &quot;I wasn&#039;t popular in school ... I failed music—only thing I ever failed. And then they entered me in this talent show ... when I came onstage I heard people kind of rumbling and whispering and so forth, &#039;cause nobody knew I even sang. It was amazing how popular I became after that.&quot;

Presley, who never received formal music training or learned to read music, studied and played by ear. He frequented record stores with jukeboxes and listening booths. He knew all of Hank Snow&#039;s songs and he loved records by other country singers such as Roy Acuff, Ernest Tubb, Ted Daffan, Jimmie Rodgers, Jimmie Davis, and Bob Wills. The Southern Gospel singer Jake Hess, one of his favorite performers, was a significant influence on his ballad-singing style. He was a regular audience member at the monthly All-Night Singings downtown, where many of the white gospel groups that performed reflected the influence of African American spiritual music. He adored the music of black gospel singer Sister Rosetta Tharpe. Like some of his peers, he may have attended blues venues—of necessity, in the segregated South, only on nights designated for exclusively white audiences. He certainly listened to the regional radio stations that played &quot;race records&quot;: spirituals, blues, and the modern, backbeat-heavy sound of rhythm and blues. Many of his future recordings were inspired by local African American musicians such as Arthur Crudup and Rufus Thomas. B.B. King recalled that he knew Presley before he was popular when they both used to frequent Beale Street. By the time he graduated high school in June 1953, Presley had already singled out music as his future.
First recordings (1953–55)
Sam Phillips and Sun Records

    To find related topics in a list, see Elvis Presley&#039;s Sun recordings.

In August 1953, Presley walked into the offices of Sun Records. He aimed to pay for a few minutes of studio time to record a two-sided acetate disc: &quot;My Happiness&quot; and &quot;That&#039;s When Your Heartaches Begin&quot;. He would later claim he intended the record as a gift for his mother, or was merely interested in what he &quot;sounded like&quot;, though there was a much cheaper, amateur record-making service at a nearby general store. Biographer Peter Guralnick argues that he chose Sun in the hope of being discovered. Asked by receptionist Marion Keisker what kind of singer he was, Presley responded, &quot;I sing all kinds.&quot; When she pressed him on whom he sounded like, he repeatedly answered, &quot;I don&#039;t sound like nobody.&quot; After he recorded, Sun boss Sam Phillips asked Keisker to note down the young man&#039;s name, which she did along with her own commentary: &quot;Good ballad singer. Hold.&quot; Presley cut a second acetate in January 1954—&quot;I&#039;ll Never Stand In Your Way&quot; and &quot;It Wouldn&#039;t Be the Same Without You&quot;—but again nothing came of it.

Not long after, he failed an audition for a local vocal quartet, the Songfellows. He explained to his father, &quot;They told me I couldn&#039;t sing.&quot; Songfellow Jim Hamill later claimed that he was turned down because he did not demonstrate an ear for harmony at the time. In April, Presley began working for the Crown Electric company as a truck driver. His friend Ronnie Smith, after playing a few local gigs with him, suggested he contact Eddie Bond, leader of Smith&#039;s professional band, which had an opening for a vocalist. Bond rejected him after a tryout, advising Presley to stick to truck driving &quot;because you&#039;re never going to make it as a singer.&quot;

Phillips, meanwhile, was always on the lookout for someone who could bring the sound of the black musicians on whom Sun focused to a broader audience. As Keisker reported, &quot;Over and over I remember Sam saying, &#039;If I could find a white man who had the Negro sound and the Negro feel, I could make a billion dollars.&#039;&quot; In June, he acquired a demo recording of a ballad, &quot;Without You&quot;, that he thought might suit the teenaged singer. Presley came by the studio, but was unable to do it justice. Despite this, Phillips asked Presley to sing as many numbers as he knew. He was sufficiently affected by what he heard to invite two local musicians, guitarist Winfield &quot;Scotty&quot; Moore and upright bass player Bill Black, to work something up with Presley for a recording session.
	
&quot;That&#039;s All Right&quot;
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Presley transformed not only the sound but the emotion of the song, turning what had been written as a &quot;lament for a lost love into a satisfied declaration of independence.&quot;
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The session, held the evening of July 5, proved entirely unfruitful until late in the night. As they were about to give up and go home, Presley took his guitar and launched into a 1946 blues number, Arthur Crudup&#039;s &quot;That&#039;s All Right&quot;. Moore recalled, &quot;All of a sudden, Elvis just started singing this song, jumping around and acting the fool, and then Bill picked up his bass, and he started acting the fool, too, and I started playing with them. Sam, I think, had the door to the control booth open ... he stuck his head out and said, &#039;What are you doing?&#039; And we said, &#039;We don&#039;t know.&#039; &#039;Well, back up,&#039; he said, &#039;try to find a place to start, and do it again.&#039;&quot; Phillips quickly began taping; this was the sound he had been looking for. Three days later, popular Memphis DJ Dewey Phillips played &quot;That&#039;s All Right&quot; on his Red, Hot, and Blue show. Listeners began phoning in, eager to find out who the singer was. The interest was such that Phillips played the record repeatedly during the last two hours of his show. Interviewing Presley on-air, Phillips asked him what high school he attended in order to clarify his color for the many callers who had assumed he was black. During the next few days the trio recorded a bluegrass number, Bill Monroe&#039;s &quot;Blue Moon of Kentucky&quot;, again in a distinctive style and employing a jury-rigged echo effect that Sam Phillips dubbed &quot;slapback&quot;. A single was pressed with &quot;That&#039;s All Right&quot; on the A side and &quot;Blue Moon of Kentucky&quot; on the reverse.
Early live performances and signing to RCA

The trio played publicly for the first time on July 17 at the Bon Air club—Presley still sporting his child-size guitar. At the end of the month, they appeared at the Overton Park Shell, with Slim Whitman headlining. A combination of his strong response to rhythm and nervousness at playing before a large crowd led Presley to shake his legs as he performed: his wide-cut pants emphasized his movements, causing young women in the audience to start screaming. Moore recalled, &quot;During the instrumental parts he would back off from the mike and be playing and shaking, and the crowd would just go wild&quot;. Black, a natural showman, whooped and rode his bass, hitting double licks that Presley would later remember as &quot;really a wild sound, like a jungle drum or something&quot;.

Soon after, Moore and Black quit their old band to play with Presley regularly and DJ and promoter Bob Neal became the trio&#039;s manager. From August through October, they played frequently at the Eagle&#039;s Nest club and returned to Sun Studio for more recording sessions, and Presley quickly grew more confident on stage. According to Moore, &quot;His movement was a natural thing, but he was also very conscious of what got a reaction. He&#039;d do something one time and then he would expand on it real quick.&quot; Presley made what would be his only appearance on Nashville&#039;s Grand Ole Opry on October 2; after a polite audience response, Opry manager Jim Denny told Phillips that his singer was &quot;not bad&quot; but did not suit the program. Two weeks later, Presley was booked on Louisiana Hayride, the Opry&#039;s chief, and more adventurous, rival. The Shreveport-based show was broadcast to 198 radio stations in 28 states. Presley had another attack of nerves during the first set, which drew a muted reaction. A more composed and energetic second set inspired an enthusiastic response. House drummer D.J. Fontana brought a new element, complementing Presley&#039;s movements with accented beats that he had mastered playing in strip clubs. Soon after the show, the Hayride engaged Presley for a year&#039;s worth of Saturday-night appearances. Trading in his old guitar for $8 (and seeing it promptly dispatched to the garbage), he purchased a Martin instrument for $175, and his trio began playing in new locales including Houston, Texas, and Texarkana, Arkansas.

By early 1955, Presley&#039;s regular Hayride appearances, constant touring, and well-received record releases had made him a substantial regional star, from Tennessee to West Texas. In January, Neal signed a formal management contract with Presley and brought the singer to the attention of Colonel Tom Parker, whom he considered the best promoter in the music business. Parker—Dutch-born, though he claimed to be from West Virginia—had acquired an honorary colonel&#039;s commission from country singer turned Louisiana governor Jimmie Davis. Having successfully managed top country star Eddy Arnold, he was now working with the new number one country singer, Hank Snow. Parker booked Presley on Snow&#039;s February tour. When the tour reached Odessa, Texas, a 19-year-old Roy Orbison saw Presley for the first time: &quot;His energy was incredible, his instinct was just amazing. ... I just didn&#039;t know what to make of it. There was just no reference point in the culture to compare it.&quot; Presley made his television debut on March 3 on the KSLA-TV broadcast of Louisiana Hayride. Soon after, he failed an audition for Arthur Godfrey&#039;s Talent Scouts on the national CBS network. By August, Sun had released ten sides credited to &quot;Elvis Presley, Scotty and Bill&quot;; on the latest recordings, the trio were joined by a drummer. Some of the songs, like &quot;That&#039;s All Right&quot;, were in what one Memphis journalist described as the &quot;R;B idiom of negro field jazz&quot;; others, like &quot;Blue Moon of Kentucky&quot;, were &quot;more in the country field&quot;, &quot;but there was a curious blending of the two different musics in both&quot;. This blend of styles made it difficult for Presley&#039;s music to find radio airplay. According to Neal, many country music disc jockeys would not play it because he sounded too much like a black artist and none of the rhythm and blues stations would touch him because &quot;he sounded too much like a hillbilly.&quot; The blend came to be known as rockabilly. At the time, Presley was variously billed as &quot;The King of Western Bop&quot;, &quot;The Hillbilly Cat&quot;, and &quot;The Memphis Flash&quot;.

Presley renewed Neal&#039;s management contract in August 1955, simultaneously appointing Parker as his special adviser. The group maintained an extensive touring schedule throughout the second half of the year. Neal recalled, &quot;It was almost frightening, the reaction that came to Elvis from the teenaged boys. So many of them, through some sort of jealousy, would practically hate him. There were occasions in some towns in Texas when we&#039;d have to be sure to have a police guard because somebody&#039;d always try to take a crack at him. They&#039;d get a gang and try to waylay him or something.&quot; The trio became a quartet when Hayride drummer Fontana joined as a full member. In mid-October, they played a few shows in support of Bill Haley, whose &quot;Rock Around the Clock&quot; had been a number one hit the previous year. Haley observed that Presley had a natural feel for rhythm, and advised him to sing fewer ballads.

At the Country Disc Jockey Convention in early November, Presley was voted the year&#039;s most promising male artist. Several record companies had by now shown interest in signing him. After three major labels made offers of up to $25,000, Parker and Phillips struck a deal with RCA Victor on November 21 to acquire Presley&#039;s Sun contract for an unprecedented $40,000. Presley, at 20, was still a minor, so his father signed the contract. Parker arranged with the owners of Hill and Range Publishing, Jean and Julian Aberbach, to create two entities, Elvis Presley Music and Gladys Music, to handle all of the new material recorded by Presley. Songwriters were obliged to forego one third of their customary royalties in exchange for having him perform their compositions. By December, RCA had begun to heavily promote its new singer, and before month&#039;s end had reissued many of his Sun recordings.
Commercial breakout and controversy (1956–58)
First national TV appearances and debut album
Album cover with photograph of Presley singing—head thrown back, eyes closed, mouth wide open—and about to strike a chord on his acoustic guitar. Another musician is behind him to the right, his instrument obscured. The word &quot;Elvis&quot; in bold pink letters descends from the upper left corner; below, the word &quot;Presley&quot; in bold green letters runs horizontally.
The &quot;iconic cover&quot; of Presley&#039;s 1956 debut album featuring a photo taken July 31, 1955

On January 10, 1956, Presley made his first recordings for RCA in Nashville. Extending the singer&#039;s by now customary backup of Moore, Black, and Fontana, RCA enlisted pianist Floyd Cramer, guitarist Chet Atkins, and three background singers, including Gordon Stoker of the popular Jordanaires quartet, to fill out the sound. The session produced the moody, unusual &quot;Heartbreak Hotel&quot;, released as a single on January 27. Parker finally brought Presley to national television, booking him on CBS&#039;s Stage Show for six appearances over two months. The program, produced in New York, was hosted on alternate weeks by big band leaders and brothers Tommy and Jimmy Dorsey. After his first appearance, on January 28, Presley stayed in town to record at RCA&#039;s New York studio. The sessions yielded eight songs, including a cover of Carl Perkins&#039; rockabilly anthem &quot;Blue Suede Shoes&quot;. In February, Presley&#039;s &quot;I Forgot to Remember to Forget&quot;, a Sun recording initially released the previous August, reached the top of the Billboard country chart. Neal&#039;s contract was terminated and, on March 2, Parker became Presley&#039;s manager.
	
&quot;Blue Suede Shoes&quot;
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Presley exhorts guitarist Scotty Moore during his break. &quot;Let&#039;s go, cat!&quot; was in the Perkins original. &quot;Aw, walk the dog!&quot; is all Elvis.
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RCA Victor released Presley&#039;s self-titled debut album on March 23. Joined by five previously unreleased Sun recordings, its seven recently recorded tracks were of a broad variety. There were two country songs and a bouncy pop tune. The others would centrally define the evolving sound of rock and roll: &quot;Blue Suede Shoes&quot;—&quot;an improvement over Perkins&#039; in almost every way&quot;, according to critic Robert Hilburn—and three R;B numbers that had been part of Presley&#039;s stage repertoire for some time, covers of Little Richard, Ray Charles, and The Drifters. As described by Hilburn, these &quot;were the most revealing of all. Unlike many white artists ... who watered down the gritty edges of the original R;B versions of songs in the &#039;50s, Presley reshaped them. He not only injected the tunes with his own vocal character but also made guitar, not piano, the lead instrument in all three cases.&quot; It became the first rock and roll album to top the Billboard chart, a position it held for 10 weeks. While Presley was not an innovative instrumentalist like Moore or contemporary African American rockers Bo Diddley and Chuck Berry, cultural historian Gilbert B. Rodman argues that the album&#039;s cover image, &quot;of Elvis having the time of his life on stage with a guitar in his hands played a crucial role in positioning the guitar...as the instrument that best captured the style and spirit of this new music.&quot;
Milton Berle Show and &quot;Hound Dog&quot;

Presley made the first of two appearances on NBC&#039;s Milton Berle Show on April 3. His performance, on the deck of the USS Hancock in San Diego, prompted cheers and screams from an audience of sailors and their dates. A few days later, a flight taking Presley and his band to Nashville for a recording session left all three badly shaken when an engine died and the plane almost went down over Arkansas. Twelve weeks after its original release, &quot;Heartbreak Hotel&quot; became Presley&#039;s first number one pop hit. In late April, Presley began a two-week residency at the New Frontier Hotel and Casino on the Las Vegas Strip. The shows were poorly received by the conservative, middle-aged hotel guests—&quot;like a jug of corn liquor at a champagne party&quot;, wrote a critic for Newsweek. Amid his Vegas tenure, Presley, who had serious acting ambitions, signed a seven-year contract with Paramount Pictures. He began a tour of the Midwest in mid-May, taking in 15 cities in as many days. He had attended several shows by Freddie Bell and the Bellboys in Vegas, and was struck by their cover of &quot;Hound Dog&quot;, a hit in 1952 for blues singer Big Mama Thornton. It became the new closing number of his act.[88] After a show in La Crosse, Wisconsin, an urgent message on the letterhead of the local Catholic diocese&#039;s newspaper was sent to FBI director J. Edgar Hoover. It warned that &quot;Presley is a definite danger to the security of the United States. ... [His] actions and motions were such as to rouse the sexual passions of teenaged youth. ... After the show, more than 1,000 teenagers tried to gang into Presley&#039;s room at the auditorium. ... Indications of the harm Presley did just in La Crosse were the two high school girls ... whose abdomen and thigh had Presley&#039;s autograph.&quot;

The second Milton Berle Show appearance came on June 5 at NBC&#039;s Hollywood studio, amid another hectic tour. Berle persuaded the singer to leave his guitar backstage, advising, &quot;Let &#039;em see you, son.&quot; During the performance, Presley abruptly halted an uptempo rendition of &quot;Hound Dog&quot; with a wave of his arm and launched into a slow, grinding version accentuated with energetic, exaggerated body movements. Presley&#039;s gyrations created a storm of controversy. Television critics were outraged: Jack Gould of The New York Times wrote, &quot;Mr. Presley has no discernible singing ability. ... His phrasing, if it can be called that, consists of the stereotyped variations that go with a beginner&#039;s aria in a bathtub. ... His one specialty is an accented movement of the body ... primarily identified with the repertoire of the blond bombshells of the burlesque runway.&quot; Ben Gross of the New York Daily News opined that popular music &quot;has reached its lowest depths in the &#039;grunt and groin&#039; antics of one Elvis Presley. ... Elvis, who rotates his pelvis ... gave an exhibition that was suggestive and vulgar, tinged with the kind of animalism that should be confined to dives and bordellos&quot;. Ed Sullivan, whose own variety show was the nation&#039;s most popular, declared him &quot;unfit for family viewing&quot;. To Presley&#039;s displeasure, he soon found himself being referred to as &quot;Elvis the Pelvis&quot;, which he called &quot;one of the most childish expressions I ever heard, comin&#039; from an adult.&quot;
Steve Allen Show and first Sullivan appearance

The Berle shows drew such high ratings that Presley was booked for a July 1 appearance on NBC&#039;s The Steve Allen Show in New York. Allen, no fan of rock and roll, introduced a &quot;new Elvis&quot; in white bow tie and black tails. Presley sang &quot;Hound Dog&quot; for less than a minute to a basset hound in a top hat and bow tie. As described by television historian Jake Austen, &quot;Allen thought Presley was talentless and absurd... [he] set things up so that Presley would show his contrition&quot;. Allen, for his part, later wrote that he found Presley&#039;s &quot;strange, gangly, country-boy charisma, his hard-to-define cuteness, and his charming eccentricity intriguing&quot; and simply worked the singer into the customary &quot;comedy fabric&quot; of his program. Presley would refer back to the Allen show as the most ridiculous performance of his career.[98] Later that night, he appeared on Hy Gardner Calling, a popular local TV show. Pressed on whether he had learned anything from the criticism to which he was being subjected, Presley responded, &quot;No, I haven&#039;t, I don&#039;t feel like I&#039;m doing anything wrong. ... I don&#039;t see how any type of music would have any bad influence on people when it&#039;s only music. ... I mean, how would rock &#039;n&#039; roll music make anyone rebel against their parents?&quot;

The next day, Presley recorded &quot;Hound Dog&quot;, along with &quot;Any Way You Want Me&quot; and &quot;Don&#039;t Be Cruel&quot;. The Jordanaires sang harmony, as they had on The Steve Allen Show; they would work with Presley through the 1960s. A few days later, the singer made an outdoor concert appearance in Memphis at which he announced, &quot;You know, those people in New York are not gonna change me none. I&#039;m gonna show you what the real Elvis is like tonight.&quot; In August, a judge in Jacksonville, Florida, ordered Presley to tame his act. Throughout the following performance, he largely kept still, except for wiggling his little finger suggestively in mockery of the order. The single pairing &quot;Don&#039;t Be Cruel&quot; with &quot;Hound Dog&quot; ruled the top of the charts for 11 weeks—a mark that would not be surpassed for 36 years. Recording sessions for Presley&#039;s second album took place in Hollywood during the first week of September. Jerry Leiber and Mike Stoller, the writers of &quot;Hound Dog&quot;, contributed &quot;Love Me&quot;.

Allen&#039;s show with Presley had, for the first time, beaten CBS&#039;s The Ed Sullivan Show in the ratings. Sullivan, despite his June pronouncement, booked the singer for three appearances for an unprecedented $50,000. The first, on September 9, 1956, was seen by approximately 60 million viewers—a record 82.6 percent of the television audience. Actor Charles Laughton hosted the show, filling in while Sullivan recuperated from a car accident. Presley appeared in two segments that night from CBS Television City in Hollywood. According to Elvis legend, Presley was shot only from the waist up. Watching clips of the Allen and Berle shows with his producer, Sullivan had opined that Presley &quot;got some kind of device hanging down below the crotch of his pants–so when he moves his legs back and forth you can see the outline of his cock. ... I think it&#039;s a Coke bottle. ... We just can&#039;t have this on a Sunday night. This is a family show!&quot; Sullivan publicly told TV Guide, &quot;As for his gyrations, the whole thing can be controlled with camera shots.&quot; In fact, Presley was shown head-to-toe in the first and second shows. Though the camerawork was relatively discreet during his debut, with leg-concealing closeups when he danced, the studio audience reacted in customary style: screaming. Presley&#039;s performance of his forthcoming single, the ballad &quot;Love Me Tender&quot;, prompted a record-shattering million advance orders. More than any other single event, it was this first appearance on The Ed Sullivan Show that made Presley a national celebrity of barely precedented proportions.

Accompanying Presley&#039;s rise to fame, a cultural shift was taking place that he both helped inspire and came to symbolize. Igniting the &quot;biggest pop craze since Glenn Miller and Frank Sinatra ... Presley brought rock&#039;n&#039;roll into the mainstream of popular culture&quot;, writes historian Marty Jezer. &quot;As Presley set the artistic pace, other artists followed ... Presley, more than anyone else, gave the young a belief in themselves as a distinct and somehow unified generation—the first in America ever to feel the power of an integrated youth culture.&quot;
Crazed crowds and movie debut
	
&quot;We&#039;re gonna do a sad song...&quot;
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Presley&#039;s definition of rock and roll included a sense of humor—here, during his second Sullivan appearance, he introduces one of his signature numbers.
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The audience response at Presley&#039;s live shows became increasingly fevered. Moore recalled, &quot;He&#039;d start out, &#039;You ain&#039;t nothin&#039; but a Hound Dog,&#039; and they&#039;d just go to pieces. They&#039;d always react the same way. There&#039;d be a riot every time.&quot; At the two concerts he performed in September at the Mississippi-Alabama Fair and Dairy Show, 50 National Guardsmen were added to the police security to prevent crowd trouble. Elvis, Presley&#039;s second album, was released in October and quickly rose to number one. Assessing the musical and cultural impact of Presley&#039;s recordings from &quot;That&#039;s All Right&quot; through Elvis, rock critic Dave Marsh wrote that &quot;these records, more than any others, contain the seeds of what rock ; roll was, has been and most likely what it may foreseeably become.&quot;

Presley returned to the Sullivan show, hosted this time by its namesake, on October 28. After the performance, crowds in Nashville and St. Louis burned him in effigy. His first motion picture, Love Me Tender, was released on November 21. Though he was not top billed, the film&#039;s original title—The Reno Brothers—was changed to capitalize on his latest number one record: &quot;Love Me Tender&quot; had hit the top of the charts earlier that month. To further take advantage of Presley&#039;s popularity, four musical numbers were added to what was originally a straight acting role. The movie was panned by the critics but did very well at the box office. Presley would receive top billing on every subsequent film he made.

On December 4, Presley dropped into Sun Records where Carl Perkins and Jerry Lee Lewis were recording and jammed with them. Though Phillips no longer had the right to release any Presley material, he made sure the session was captured on tape. The results became legendary as the &quot;Million Dollar Quartet&quot; recordings—Johnny Cash was long thought to have played as well, but he was present only briefly at Phillips&#039; instigation for a photo opportunity. The year ended with a front page story in the Wall Street Journal reporting that Presley merchandise had brought in $22 million on top of his record sales, and Billboard&#039;s declaration that he had placed more songs in the top 100 than any other artist since records were first charted. In his first full year on RCA, one of the music industry&#039;s largest companies, Presley had accounted for over 50 percent of the label&#039;s singles sales.
Leiber and Stoller collaboration and draft notice

Presley made his third and final Ed Sullivan Show appearance on January 6, 1957—on this occasion indeed shot only down to the waist. Some commentators have claimed that Parker orchestrated an appearance of censorship to generate publicity. In any event, as critic Greil Marcus describes, Presley &quot;did not tie himself down. Leaving behind the bland clothes he had worn on the first two shows, he stepped out in the outlandish costume of a pasha, if not a harem girl. From the make-up over his eyes, the hair falling in his face, the overwhelmingly sexual cast of his mouth, he was playing Rudolph Valentino in The Sheik, with all stops out.&quot; To close, displaying his range and defying Sullivan&#039;s wishes, Presley sang a gentle black spiritual, &quot;Peace in the Valley&quot;. At the end of the show, Sullivan declared Presley &quot;a real decent, fine boy&quot;.Two days later, the Memphis draft board announced that Presley would be classified 1A and would probably be drafted sometime that year.

Each of the three Presley singles released in the first half of 1957 went to number one: &quot;Too Much&quot;, &quot;All Shook Up&quot;, and &quot;(Let Me Be Your) Teddy Bear&quot;. Already an international star, he was attracting fans even where his music was not officially released. Under the headline &quot;Presley Records a Craze in Soviet&quot;, The New York Times reported that pressings of his music on discarded X-ray plates were commanding high prices in Leningrad. Between film shoots and recording sessions, the singer also found time to purchase an 18-room mansion eight miles south of downtown Memphis for himself and his parents: Graceland. Loving You—the soundtrack to his second film, released in July—was Presley&#039;s third straight number one album. The title track was written by Leiber and Stoller, who were retained to write four of the six songs recorded at the sessions for Jailhouse Rock, Presley&#039;s next movie. The songwriting team effectively produced the sessions, and they developed a close working relationship with Presley, who came to regard them as his &quot;good-luck charm&quot;. Their title track was yet another number one hit, as was the Jailhouse Rock EP.

Presley undertook three brief tours during the year, continuing to generate a crazed audience response. A Detroit newspaper suggested that &quot;the trouble with going to see Elvis Presley is that you&#039;re liable to get killed.&quot; Villanova students pelted him with eggs in Philadelphia, and in Vancouver, the crowd rioted after the end of the show, destroying the stage. Frank Sinatra, who had famously inspired the swooning of teenaged girls in the 1940s, condemned the new musical phenomenon. In a magazine article, he decried rock and roll as &quot;brutal, ugly, degenerate, vicious. ... It fosters almost totally negative and destructive reactions in young people. It smells phoney and false. It is sung, played and written, for the most part, by cretinous goons. ... This rancid-smelling aphrodisiac I deplore.&quot; Asked for a response, Presley said, &quot;I admire the man. He has a right to say what he wants to say. He is a great success and a fine actor, but I think he shouldn&#039;t have said it. ... This is a trend, just the same as he faced when he started years ago.&quot;

Leiber and Stoller were again in the studio for the recording of Elvis&#039; Christmas Album. Toward the end of the session, they wrote a song on the spot at Presley&#039;s request: &quot;Santa Claus Is Back In Town&quot;, an innuendo-laden blues. The holiday release stretched Presley&#039;s string of number one albums to four and would eventually become the best selling Christmas album of all time. After the session, Moore and Black—drawing only modest weekly salaries, sharing in none of Presley&#039;s massive financial success—resigned. Though they were brought back on a per diem basis a few weeks later, it was clear that they had not been part of Presley&#039;s inner circle for some time. On December 20, Presley received his draft notice. He was granted a deferment to finish the forthcoming King Creole, in which $350,000 had already been invested by Paramount and producer Hal Wallis. A couple of weeks into the new year, &quot;Don&#039;t&quot;, another Leiber and Stoller tune, became Presley&#039;s tenth number one seller. It had been only 21 months since &quot;Heartbreak Hotel&quot; had brought him to the top for the first time. Recording sessions for the King Creole soundtrack were held in Hollywood mid-January. Leiber and Stoller provided three songs and were again on hand, but it would be the last time they worked closely with Presley. A studio session on February 1 marked another ending: it was the final occasion on which Black was to perform with Presley. He died in 1965.
Military service and mother&#039;s death (1958–60)

On March 24, Presley was inducted into the U.S. Army as a private at Fort Chaffee, near Fort Smith, Arkansas. Captain Arlie Metheny, the information officer, was unprepared for the media attention drawn by the singer&#039;s arrival. Hundreds of people descended on Presley as he stepped from the bus; photographers then accompanied him into the base. Presley announced that he was looking forward to his military stint, saying he did not want to be treated any differently from anyone else: &quot;The Army can do anything it wants with me.&quot; Later, at Fort Hood, Texas, Lieutenant Colonel Marjorie Schulten gave the media carte blanche for one day, after which she declared Presley off-limits to the press.

Soon after Presley had commenced basic training at Fort Hood, he received a visit from Eddie Fadal, a businessman he had met when on tour in Texas. Fadal reported that Presley had become convinced his career was finished—&quot;He firmly believed that.&quot; During a two-week leave in early June, Presley cut five sides in Nashville. He returned to training, but in early August his mother was diagnosed with hepatitis and her condition worsened. Presley was granted emergency leave to visit her, arriving in Memphis on August 12. Two days later, she died of heart failure, aged 46. Presley was devastated; their relationship had remained extremely close—even into his adulthood, they would use baby talk with each other and Presley would address her with pet names.
Presley stands in a ship&#039;s canteen, wearing a stiff black-brimmed military cap, khaki shirt, and dark tie. His hands are cupped at chest height, holding something. Other soldiers stand to either side of and behind him.
Presley aboard USS General George M. Randall en route to Germany, September 29, 1958

After training at Fort Hood, Presley joined the 3rd Armored Division in Friedberg, Germany, on October 1. Introduced to amphetamines by a sergeant while on maneuvers, he became &quot;practically evangelical about their benefits&quot;—not only for energy, but for &quot;strength&quot; and weight loss, as well—and many of his friends in the outfit joined him in indulging. The Army also introduced Presley to karate, which he studied seriously, later including it in his live performances. Fellow soldiers have attested to Presley&#039;s wish to be seen as an able, ordinary soldier, despite his fame, and to his generosity while in the service. He donated his Army pay to charity, purchased TV sets for the base, and bought an extra set of fatigues for everyone in his outfit.

While in Friedberg, Presley met 14-year-old Priscilla Beaulieu. They would eventually marry after a seven-and-a-half-year courtship. In her autobiography, Priscilla says that despite his worries that it would ruin his career, Parker convinced Presley that to gain popular respect, he should serve his country as a regular soldier rather than in Special Services, where he would have been able to give some musical performances and remain in touch with the public. Media reports echoed Presley&#039;s concerns about his career, but RCA producer Steve Sholes and Freddy Bienstock of Hill and Range had carefully prepared for his two-year hiatus. Armed with a substantial amount of unreleased material, they kept up a regular stream of successful releases. Between his induction and discharge, Presley had ten top 40 hits, including &quot;Wear My Ring Around Your Neck&quot;, the best-selling &quot;Hard Headed Woman&quot;, and &quot;One Night&quot; in 1958, and &quot;(Now and Then There&#039;s) A Fool Such as I&quot; and the number one &quot;A Big Hunk o&#039; Love&quot; in 1959. RCA also managed to generate four albums compiling old material during this period, most successfully Elvis&#039; Golden Records (1958), which hit number three on the LP chart.
Focus on movies (1960–67)
Elvis Is Back
	
&quot;It&#039;s Now or Never&quot;
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Presley broke new stylistic ground and displayed his vocal range with this number one hit. The quasi-operatic ballad ends with Presley &quot;soaring up to an incredible top G sharp.&quot;
Problems listening to this file? See media help.

Presley returned to the United States on March 2, 1960, and was honorably discharged with the rank of sergeant on March 5. The train that carried him from New Jersey to Tennessee was mobbed all the way, and Presley was called upon to appear at scheduled stops to please his fans. Back in Memphis, he wasted no time in returning to the studio. Sessions in March and April yielded two of his best-selling singles, the ballads &quot;It&#039;s Now or Never&quot; and &quot;Are You Lonesome Tonight?&quot;, and Elvis Is Back! The album features several songs described by Greil Marcus as full of Chicago blues &quot;menace, driven by Presley&#039;s own super-miked acoustic guitar, brilliant playing by Scotty Moore, and demonic sax work from Boots Randolph. Elvis&#039;s singing wasn&#039;t sexy, it was pornographic.&quot; As a whole, the record &quot;conjured up the vision of a performer who could be all things&quot;, in the words of music historian John Robertson: &quot;a flirtatious teenage idol with a heart of gold; a tempestuous, dangerous lover; a gutbucket blues singer; a sophisticated nightclub entertainer; [a] raucous rocker&quot;. Released only days after recording was complete, it reached number two on the album chart.

Presley returned to television on May 12 as a guest on The Frank Sinatra Timex Special—ironic for both stars, given Sinatra&#039;s not-so-distant excoriation of rock and roll. Also known as Welcome Home Elvis, the show had been taped in late March, the only time all year Presley performed in front of an audience. Parker secured an unheard-of $125,000 fee for eight minutes of singing. The broadcast drew an enormous viewership.

G.I. Blues, the soundtrack to Presley&#039;s first film since his return, was a number one album in October. His first LP of sacred material, His Hand in Mine, followed two months later. It reached number 13 on the U.S. pop chart and number 3 in Great Britain, remarkable figures for a gospel album. In February 1961, Presley performed two shows for a benefit event in Memphis, on behalf of 24 local charities. During a luncheon preceding the event, RCA presented him with a plaque certifying worldwide sales of over 75 million records. A 12-hour Nashville session in mid-March yielded nearly all of Presley&#039;s next studio album, Something for Everybody. As described by John Robertson, it exemplifies the Nashville sound, the restrained, cosmopolitan style that would define country music in the 1960s. Presaging much of what was to come from Presley himself over the next half-decade, the album is largely &quot;a pleasant, unthreatening pastiche of the music that had once been Elvis&#039;s birthright.&quot; It would be his sixth number one LP. Another benefit concert, raising money for a Pearl Harbor memorial, was staged on March 25, in Hawaii. It was to be Presley&#039;s last public performance for seven years.
Lost in Hollywood
See also: Elvis Presley acting career

Parker had by now pushed Presley into a heavy moviemaking schedule, focused on formulaic, modestly budgeted musical-comedies. Presley at first insisted on pursuing more serious roles, but when two films in a more dramatic vein—Flaming Star (1960) and Wild in the Country (1961)—were less commercially successful, he reverted to the formula. For the remainder of the decade, during which he made 27 movies, there were few further exceptions. His films were almost universally panned; one critic dismissed them as a &quot;pantheon of bad taste&quot;. Nonetheless, they were virtually all profitable. Hal Wallis, who produced nine of them, declared, &quot;A Presley picture is the only sure thing in Hollywood.&quot;

Of Presley&#039;s films in the 1960s, 15 were accompanied by soundtrack albums and another 5 by soundtrack EPs. The movies&#039; rapid production and release schedules—he frequently starred in three a year—affected his music. According to Jerry Leiber, the soundtrack formula was already evident before Presley left for the Army: &quot;three ballads, one medium-tempo [number], one up-tempo, and one break blues boogie&quot;. As the decade wore on, the quality of the soundtrack songs grew &quot;progressively worse&quot;. Julie Parrish, who appeared in Paradise, Hawaiian Style (1966), says that he hated many of the songs chosen for his films. The Jordanaires&#039; Gordon Stoker describes how Presley would retreat from the studio microphone: &quot;The material was so bad that he felt like he couldn&#039;t sing it.&quot; Most of the movie albums featured a song or two from respected writers such as the team of Doc Pomus and Mort Shuman. But by and large, according to biographer Jerry Hopkins, the numbers seemed to be &quot;written on order by men who never really understood Elvis or rock and roll.&quot; Regardless of the songs&#039; quality, it has been argued that Presley generally sang them well, with commitment. Critic Dave Marsh heard the opposite: &quot;Presley isn&#039;t trying, probably the wisest course in the face of material like &#039;No Room to Rumba in a Sports Car&#039; and &#039;Rock-a-Hula Baby.&#039;&quot;

In the first half of the decade, three of Presley&#039;s soundtrack albums hit number one on the pop charts, and a few of his most popular songs came from his films, such as &quot;Can&#039;t Help Falling in Love&quot; (1961) and &quot;Return to Sender&quot; (1962). (&quot;Viva Las Vegas&quot;, the title track to the 1964 film, was a minor hit as a B-side, and became truly popular only later.) But, as with artistic merit, the commercial returns steadily diminished. During a five-year span—1964 through 1968—Presley had only one top ten hit: &quot;Crying in the Chapel&quot; (1965), a gospel number recorded back in 1960. As for non-movie albums, between the June 1962 release of Pot Luck and the November 1968 release of the soundtrack to the television special that signaled his comeback, only one LP of new material by Presley was issued: the gospel album How Great Thou Art (1967). It won him his first Grammy Award, for Best Sacred Performance. As described in The New Rolling Stone Album Guide, Presley was &quot;arguably the greatest white gospel singer of his time [and] really the last rock ; roll artist to make gospel as vital a component of his musical personality as his secular songs.&quot;

Shortly before Christmas 1966, more than seven years since they first met, Presley proposed to Priscilla Beaulieu. They were married on May 1, 1967, in a brief ceremony in their suite at the Aladdin Hotel in Las Vegas. The flow of formulaic movies and assembly-line soundtracks rolled on. It was not until October 1967, when the Clambake soundtrack LP registered record low sales for a new Presley album, that RCA executives recognized a problem. &quot;By then, of course, the damage had been done&quot;, as historians Connie Kirchberg and Marc Hendrickx put it. &quot;Elvis was viewed as a joke by serious music lovers and a has-been to all but his most loyal fans.&quot;
Comeback (1968–73)
Elvis: the &#039;68 Comeback Special
Main article: Elvis (1968 TV program)
Presley, wearing a tight black leather jacket with upturned collar, black leather wristbands, and black leather pants, holds a microphone with a long cord. His hair, which looks black as well, falls across his forehead. In front of him is an empty microphone stand. Behind, beginning below stage level and rising up, audience members watch him. A young woman with long black hair in the front row gazes up ecstatically.
The &#039;68 Comeback Special produced &quot;one of the most famous images&quot; of Presley. Taken on June 29, 1968, it was adapted for the cover of Rolling Stone in July 1969.</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Elvis">Elvis</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Presley">Presley</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Heartbreak">Heartbreak</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Hotel">Hotel</a> <br />Date: 2008-11-30<br/></p><br /><hr>    ]]>
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  <author>TheTeam</author>
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  <title>Bob Marley - I Shot The Sheriff Live</title>
  <link>http://www.kideso.co.uk/kvp/video/207/Bob-Marley--I-Shot-The-Sheriff-Live</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/3_207.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Most of Bob Marley&#039;s early music was recorded with Peter Tosh and Bunny Wailer, who together with Marley were the most prominent members of The Wailers. In 1972, Bob Marley had his first hit outside Jamaica when Johnny Nash covered his song &quot;Stir It Up&quot;, which became a U.K. hit. The 1973 album, Catch a Fire, was released worldwide, and sold well. It was followed by Burnin&#039; which included the song &quot;I Shot the Sheriff&quot;, of which a cover version by Eric Clapton became a hit in 1974./nPeter Tosh and Bunny Wailer left The Wailers in 1974. Bob Marley proceeded with &quot;Bob Marley ; the Wailers&quot;, which included the Wailers Band and the I Threes. In 1975, he had his first own hit outside Jamaica with &quot;No Woman, No Cry,&quot; from the Natty Dread album. His subsequent albums, including Rastaman Vibration, Exodus, Kaya, Survival and Uprising, were big international sellers. Bob Marley has sold between 100 and 250 million records worldwide. Between 1991 and 2007 Bob Marley and The Wailers have sold in excess of 21 million records. These statistics did not begin to be collected until ten years after his death./nBob Marley ; The Wailers was a reggae band created by Bob Marley in 1974, after Peter Tosh and Bunny Wailer left the precursor band, The Wailers. The brothers Carlton (drums) and Aston &quot;Family Man&quot; Barrett (bass) – who had joined The Wailers four years earlier – chose to stay with Marley./nThe Barret brothers originally played with the Wailers while still in Lee &quot;Scratch&quot; Perry&#039;s studio band The Upsetters /nBob Marley ; The Wailers consisted of Bob Marley himself as guitarist, songwriter and lead singer, the Wailers Band as the backing band, and the I Threes as backup vocalists. The Wailers Band included the brothers Carlton and Aston &quot;Family Man&quot; Barrett on drums and bass respectively, Junior Marvin and Al Anderson on lead guitar, Tyrone Downie and Earl &quot;Wya&quot; Lindo on keyboards, and Alvin &quot;Seeco&quot; Patterson on percussion. The I Threes, consisted of Bob Marley&#039;s wife Rita Marley, Judy Mowatt and Marcia Griffiths./nSometimes, usually for marketing purposes, recordings are indiscriminately attributed to either &quot;Bob Marley&quot;, &quot;The Wailers&quot;, or &quot;Bob Marley ; the Wailers&quot;.</p><p>CLIPSHARE</p> 
       <p>Added by: <a href="http://www.kideso.co.uk/kvp/users/TheTeam">TheTeam</a><br/> 
       Tags: <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Bob">Bob</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Marley">Marley</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=-">-</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=I">I</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Shot">Shot</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=The">The</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Sheriff">Sheriff</a> <a href="http://www.kideso.co.uk/kvp/search_result.php?search_id=Live">Live</a> <br />Date: 2008-11-22<br/></p><br /><hr>    ]]>
  </description>
  <author>TheTeam</author>
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  <title>Mariah Carey - Shake It Off</title>
  <link>http://www.kideso.co.uk/kvp/video/871/Mariah-Carey--Shake-It-Off</link>
  <description>
    <![CDATA[<img src="http://www.kideso.co.uk/kvp/thumb/3_871.jpg" align="right" border="0" width="174" height="130" vspace="4" hspace="4" /><br /><br /> 
       <p>Mariah Carey (born March 27, 1970) is an American singer, songwriter, record producer and actress. She made her recording debut in 1990 under the guidance of Columbia Records executive Tommy Mottola, and became the first recording artist to have her first five singles top the U.S. Billboard Hot 100 chart. Following her marriage to Mottola in 1993, a series of hit records established her position as Columbia&#039;s highest-selling act. According to Billboard magazine, she was the most successful artist of the 1990s in the United States.

Following her separation from Mottola in 1997, Carey introduced elements of hip hop into her album work, to much initial success, but her popularity was in decline when she left Columbia in 2001. She signed to Virgin Records but was dropped from the label and bought out of her contract the following year after a highly publicized physical and emotional breakdown, as well as the poor reception given to Glitter, her film and soundtrack project. In 2002, Carey signed with Island Records, and after a relatively unsuccessful period, she returned to the top of pop music in 2005.

Carey has sold more than 175 million albums, singles and videos worldwide. She was named the best-selling female pop artist of the millennium at the 2000 World Music Awards. Carey is also the recipient of the Chopard Diamond Award at the 2003 World Music Awards, recognizing sales of over 100 million albums worldwide. According to the Recording Industry Association of America, she is the third best-selling female artist and sixteenth overall recording artist with shipments of over 63 million albums in the US. She is also ranked as the best-selling female artist of the U.S. Nielsen SoundScan era (third best-selling artist overall). She has the most number-one singles for a solo artist in the United States (eighteen; second artist overall behind The Beatles). In 2008, Billboard magazine ranked her at number six on the &quot;Billboard Hot 100 All-Time Top Artists&quot;, making Carey the second most successful female artist, behind Madonna, in the history of the Billboard Hot 100 chart. In addition to her commercial accomplishments, Carey has earned five Grammy Awards, and is well-known for her five-octave vocal range, power, melismatic style, and use of the whistle register.Carey was born in Huntington, Long Island, New York. She is the third and youngest child of Patricia Carey (née Hickey), a former opera singer and vocal coach, and Alfred Roy Carey, an aeronautical engineer.  Her mother was Irish American and her father was of Afro-Venezuelan and African American descent; her paternal grandfather, Roberto Nuñez, changed his surname to Carey to better assimilate upon moving to the United States from Venezuela.  Carey was named after the song &quot;They Call the Wind Mariah&quot;.  Carey&#039;s parents divorced when she was three years old.While living in Huntington, racist neighbors allegedly poisoned the family dog and set fire to her family&#039;s car.  After her parents&#039; divorce, Carey had little contact with her father, and her mother worked several jobs to support the family. Carey spent much of her time at home alone and turned to music to occupy herself. She began singing at around the age of three, when her mother began to teach her after Carey imitated her mother practicing Verdi&#039;s opera Rigoletto  in Italian.

Carey graduated from Harborfields High School in Greenlawn, New York. She was frequently absent because of her work as a demo singer for local recording studios; her classmates consequently gave her the nickname &quot;Mirage&quot;. Her work in the Long Island music scene gave her opportunities to work with musicians such as Gavin Christopher and Ben Margulies, with whom she co-wrote material for her demo tape. After moving to New York City, Carey worked part-time jobs to pay the rent, and she completed 500 hours of beauty school. Eventually, she became a backup singer for Puerto Rican freestyle singer Brenda K. Starr.

In 1988, Carey met Columbia Records executive Tommy Mottola at a party, where Starr gave him Carey&#039;s demo tape. Mottola played the tape when leaving the party and was impressed. He returned to find Carey, but she had left. Nevertheless, Mottola tracked her down and signed her to a recording contract. This Cinderella-like story became part of the standard publicity surrounding Carey&#039;s entrance into the industry.
Early commercial success: 1989–1992

Carey co-wrote the tracks on her 1990 debut album Mariah Carey, and she has co-written most of her material since. During the recording, she expressed dissatisfaction with the contributions of producers such as Ric Wake and Rhett Lawrence, whom the executives at Columbia had enlisted to help make the album more commercially viable. Backed by a substantial promotional budget, the album reached number one on the U.S. Billboard 200 chart, where it remained for several weeks. It yielded four number-one singles and made Carey a star in the United States, but it was less successful in other countries. Critics rated the album highly, and Carey won Grammys for Best New Artist, and—for her debut single, &quot;Vision of Love&quot;—Best Female Pop Vocal Performance.

Carey conceived Emotions, her second album, as an homage to Motown soul music (see Motown Sound), and she worked with Walter Afanasieff and Clivillés ; Cole (from the dance group C+C Music Factory) on the record. It was released soon after her debut album—in late 1991—but was neither as critically or commercially successful; Rolling Stone described it as &quot;more of the same, with less interesting material  pop-psych love songs played with airless, intimidating expertise.&quot; The title track &quot;Emotions&quot; made Carey the only recording act whose first five singles have reached number one on the U.S. Hot 100 chart, although the album&#039;s follow-up singles failed to match this feat. Carey had been lobbying to produce her own songs, and beginning with Emotions, she has co-produced most of her material. &quot;I didn&#039;t want [Emotions] to be somebody else&#039;s vision of me,&quot; she said. &quot;There&#039;s more of me on this album.&quot;

Although Carey performed live occasionally, stage fright prevented her from embarking on a major tour. Her first widely seen appearance was featured on the television show MTV Unplugged in 1992, and she remarked that she felt her performance that night proved her vocal abilities were not, as some had previously speculated, simulated with studio equipment. Alongside acoustic versions of some of her earlier songs, Carey premiered a cover of The Jackson 5&#039;s &quot;I&#039;ll Be There&quot; with her back-up singer Trey Lorenz. The duet was released as a single, reached number one in the U.S., and led to a record deal for Lorenz, whose debut album Carey later co-produced. Because of high ratings for the Unplugged television special, the concert&#039;s set list was released on the EP MTV Unplugged, which Entertainment Weekly called &quot;the strongest, most genuinely musical record she has ever made  Did this live performance help her take her first steps toward growing up?.&quot;
International success (1993–1996)

Carey and Tommy Mottola had become involved romantically during the making of her debut album, and in June 1993, they were married.

Kenneth &quot;Babyface&quot; Edmonds consulted on the album Music Box, which was released later that year and became Carey&#039;s most successful worldwide. The album maintained a presence on the Billboard 200 for a staggering 128 weeks. It yielded her first UK Singles Chart number-one, a cover of Badfinger&#039;s &quot;Without You&quot;, and the U.S. number-ones &quot;Dreamlover&quot; and &quot;Hero&quot;. Billboard magazine proclaimed it &quot;heart-piercing easily the most elemental of Carey&#039;s releases, her vocal eurythmics in natural sync with the songs&quot;, but TIME magazine lamented Carey&#039;s attempt at a mellower work, &quot;[Music Box] seems perfunctory and almost passionless  Carey could be a pop-soul great; instead she has once again settled for Salieri-like mediocrity.&quot; In response to such comments, Carey said, &quot;As soon as you have a big success, a lot of people don&#039;t like that. There&#039;s nothing I can do about it. All I can do is make music I believe in.&quot; Most critics slighted the opening of her subsequent U.S. Music Box Tour.
	
&quot;One Sweet Day&quot; (1995)
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Carey&#039;s collaboration with Boyz II Men is one of her biggest singles in the U.S.
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In late 1994, after her duet with Luther Vandross on a cover of Lionel Richie and Diana Ross&#039;s &quot;Endless Love&quot; became a hit, Carey released the holiday album Merry Christmas. It contained cover material and original compositions such as &quot;All I Want for Christmas Is You&quot;, which became Carey&#039;s biggest single in Japan and, in subsequent years, emerged as one of her most perennially popular songs on U.S. radio. Critical reception of Merry Christmas was mixed, with Allmusic calling it an &quot;otherwise vanilla set  pretensions to high opera on &#039;O Holy Night&#039; and a horrid danceclub take on &#039;Joy to the World&#039;.&quot; It became one of the most successful Christmas albums of all time.

In 1995, Columbia released Carey&#039;s fourth studio album, Daydream, which combined the pop sensibilities of Music Box with downbeat R;B and hip hop influences. A remix of &quot;Fantasy&quot;, its first single, featured rapper Ol&#039; Dirty Bastard. Carey said that Columbia reacted negatively to her intentions for the album: &quot;Everybody was like &#039;What, are you crazy?&#039;. They&#039;re very nervous about breaking the formula.&quot; It became her biggest-selling album in the U.S., and its singles achieved similar success—&quot;Fantasy&quot; became the second single to debut at number one in the U.S. and topped the Canadian Singles Chart for twelve weeks; &quot;One Sweet Day&quot; (a duet with Boyz II Men) spent a record-holding sixteen weeks at number one in the U.S.; and &quot;Always Be My Baby&quot; (co-produced by Jermaine Dupri) was the most successful record on U.S. radio in 1996, according to Billboard magazine. Daydream generated career-best reviews for Carey, and publications such as The New York Times named it one of 1995&#039;s best albums; the Times wrote that its &quot;best cuts bring pop candy-making to a new peak of textural refinement  Carey&#039;s songwriting has taken a leap forward, becoming more relaxed, sexier and less reliant on thudding clichés.&quot; The short but profitable Daydream World Tour augmented sales of the album, which received six Grammy Award nominations.
New image and independence (1997–2000)
Carey at Edwards Air Force Base during the making of &quot;I Still Believe&quot; video in 1998.

Carey and Mottola officially separated in 1997. Although the public image of the marriage was a happy one, she said that in reality she had felt trapped by her relationship with Mottola, whom she often described as controlling. They officially announced their separation in 1997, and their divorce became final the following year. Soon after the separation, Carey hired an independent publicist and a new attorney and manager. She continued to write and produce for other artists during this period, contributing to the debut albums of Allure and 7 Mile through her short-lived imprint Crave Records.

Carey&#039;s next album, Butterfly (1997), yielded the number-one single &quot;Honey&quot;, the lyrics and music video for which presented a more overtly sexual image of her than had been previously seen.She stated that Butterfly marked the point when she attained full creative control over her music. However, she added, &quot;I don&#039;t think it&#039;s that much of a departure from what I&#039;ve done in the past  It&#039;s not like I went psycho and thought I was going to be a rapper. Personally, this album is about doing whatever the hell I wanted to do.&quot; Reviews were generally positive: LAUNCHcast said Butterfly &quot;pushes the envelope,&quot; a move its critic thought &quot;may prove disconcerting to more conservative fans&quot; but praised as &quot;a welcome change.&quot; The Los Angeles Times wrote, &quot;[Butterfly] is easily the most personal, confessional-sounding record she&#039;s ever done  Carey-bashing just might become a thing of the past.&quot; The album was a commercial success—although not to the degree of her previous three albums—and &quot;My All&quot; (her thirteenth Hot 100 number-one) gave her the record for the most U.S. number-ones by a female artist.

Toward the turn of the millennium, Carey was developing the film project Glitter and wrote songs for the films Men in Black (1997) and How the Grinch Stole Christmas (2000). During the production of Butterfly, Carey became romantically involved with New York Yankees baseball star Derek Jeter. Their relationship ended in 1998, with both parties citing media interference as the main reason for the split. The same year, Columbia released the album #1&#039;s, a collection of Carey&#039;s U.S. number-one singles alongside new material, which she said was a way of rewarding her fans. The song &quot;When You Believe&quot;, a duet with Whitney Houston, was recorded for the soundtrack of The Prince of Egypt (1998) and won an Academy Award. #1&#039;s sold above expectations, but a review in NME labeled Carey &quot;a purveyor of saccharine bilge like &#039;Hero&#039;, whose message seems wholesome enough: that if you vacate your mind of all intelligent thought, flutter your eyelashes and wish hard, sweet babies and honey will follow.&quot; Also that year, she appeared on the first televised VH1 Divas benefit concert program, although her alleged prima donna behavior had already led many to consider her a diva. By the following year, she had entered a relationship with singer Luis Miguel.

Rainbow, Carey&#039;s sixth studio album, was released in 1999 and comprised more R;B/hip hop–oriented songs, many of them co-created with Jimmy Jam and Terry Lewis. &quot;Heartbreaker&quot; and &quot;Thank God I Found You&quot; (the former featuring Jay-Z, the latter featuring Joe and boy band 98 Degrees) reached number one in the U.S. and the success of the former made Carey the only act to have a number-one single in each year of the 1990s. A cover of Phil Collins&#039;s &quot;Against All Odds (Take a Look at Me Now)&quot; went to number one in the UK after Carey re-recorded it with boy band Westlife. Media reception of Rainbow was generally enthusiastic, with the Sunday Herald saying the album &quot;sees her impressively tottering between soul ballads and collaborations with R;B heavyweights like Snoop Doggy Dogg, Usher  It&#039;s a polished collection of pop-soul.&quot;VIBE magazine expressed similar sentiments, writing, &quot;She pulls out all stops  Rainbow will garner even more adoration&quot;but it became Carey&#039;s lowest-selling album up to that point, and there was a recurring criticism that the tracks were too alike. When the double A-side &quot;Crybaby&quot; (featuring Snoop Dogg)/&quot;Can&#039;t Take That Away (Mariah&#039;s Theme)&quot; became her first single to peak outside the U.S. top twenty, Carey accused Sony of underpromoting it: &quot;The political situation in my professional career is not positive  I&#039;m getting a lot of negative feedback from certain corporate people,&quot; she wrote on her official website.
Personal and professional struggles (2001–2004)

After receiving Billboard&#039;s Artist of the Decade Award and the World Music Award for Best-Selling Female Artist of the Millennium, Carey parted from Columbia and signed a contract with EMI&#039;s Virgin Records worth a reported US$80 million. She often stated that Columbia had regarded her as a commodity, with her separation from Mottola exacerbating her relations with label executives. Just a few months later, in July 2001, it was widely reported that Carey had suffered a physical and emotional breakdown. She had left messages on her website complaining of being overworked, and her relationship with Luis Miguel was ending. In an interview the following year, she said, &quot;I was with people who didn&#039;t really know me, and I had no personal assistant. I&#039;d be doing interviews all day long, getting two hours of sleep a night, if that.&quot; During an appearance on MTV&#039;s Total Request Live, Carey handed out popsicles to the audience and began what was later described as a &quot;striptease&quot;. By the month&#039;s end, she had checked into a hospital, and her publicist announced that Carey was taking a break from public appearances.

Critics panned Glitter, Carey&#039;s much delayed semi-autobiographical film, and it was a box office failure. The accompanying soundtrack album, Glitter, was inspired by the music of the 1980s and featured collaborations with Rick James and Jimmy Jam and Terry Lewis; it generated Carey&#039;s worst showing on the U.S. chart. The St. Louis Post-Dispatch dismissed it as &quot;an absolute mess that&#039;ll go down as an annoying blemish on a career that, while not always critically heralded, was at least nearly consistently successful&quot;, while Blender magazine opined, &quot;After years of trading her signature flourishes for a radio-ready purr, Carey&#039;s left with almost no presence at all.&quot; The lead single, &quot;Loverboy&quot; (featuring Cameo), reached number two on the Hot 100 due to the release of the physical single, but the album&#039;s follow-up singles failed to chart; however, a live rendition/medley of the single, &quot;Never Too Far&quot; made its way to #81.

Later in the year, Columbia released the low-charting compilation album Greatest Hits shortly after the failure of Glitter, and in early 2002, Virgin bought out Carey&#039;s contract for $28 million, creating further negative publicity. Carey later said her time at Virgin was &quot;a complete and total stress-fest  I made a total snap decision which was based on money, and I never make decisions based on money. I learned a big lesson from that.&quot; Later that year, she signed a contract with Island Records, valued at more than $22.5 million. and launched the record label MonarC. To add further to Carey&#039;s emotional burdens, her father, with whom she had little contact since childhood, died of cancer that year.

In 2002, she performed the American national anthem in front of an audience at the Super Bowl XXXVI at the Louisiana Superdome in New Orleans, Louisiana. Following a well-received supporting role in the 2002 film WiseGirls, Carey released the album Charmbracelet, which she said marked &quot;a new lease on life&quot; for her. Sales of Charmbracelet were moderate, and the quality of Carey&#039;s vocals came under severe criticism. The Boston Globe declared the album &quot;the worst of her career, revealing a voice no longer capable of either gravity-defying gymnastics or soft coos&quot;, and Rolling Stone commented, &quot;Carey needs bold songs that help her use the power and range for which she is famous. Charmbracelet is like a stream of watercolors that bleed into a puddle of brown.&quot;The album&#039;s only charting single in America, &quot;Through the Rain&quot;, was a failure on pop radio, which had become less open to maturing &quot;diva&quot; stylists such as Celine Dion, or Carey herself in favor of younger singers such as Christina Aguilera, who had vocal styles very similar to Carey&#039;s.

&quot;I Know What You Want&quot;, a 2003 Busta Rhymes single on which Carey guest starred, fared considerably better and reached the U.S. top five; it was also included on Columbia&#039;s release of The Remixes, a compilation of Carey&#039;s best remixes and some new tracks. That year, she embarked on the Charmbracelet World Tour and was awarded the Chopard Diamond award for selling more than 100 million albums worldwide. She was featured on rapper Jadakiss&#039;s 2004 single &quot;U Make Me Wanna&quot;, which reached the top ten on Billboard&#039;s R;B/Hip-Hop chart.
Return to prominence (2005–2008)
Carey performing on her Adventures of Mimi Tour, in Florida August 7, 2006.

Carey&#039;s tenth studio album, The Emancipation of Mimi (2005), contained contributions from producers such as The Neptunes, Kanye West and Carey&#039;s longtime collaborator, Jermaine Dupri. Carey said it was &quot;very much like a party record  the process of putting on makeup and getting ready to go out I wanted to make a record that was reflective of that.&quot; The Emancipation of Mimi became 2005&#039;s best-selling album in the U.S., and The Guardian reviewer defined it as &quot;cool, focused and urban some of the first Mariah Carey tunes in years I wouldn&#039;t have to be paid to listen to again&quot;.The album earned Carey a Grammy Award for Best Contemporary R;B Album, and the single &quot;We Belong Together&quot; won Best Female R;B Vocal Performance and Best R;B Song. &quot;We Belong Together&quot; held the Hot 100&#039;s number-one position for fourteen weeks, her longest run at the top as a solo lead artist. Subsequently, the single &quot;Shake It Off&quot; reached number two for a week, making Carey the first female lead vocalist to have simultaneously held the Hot 100&#039;s top two positions. (While topping the charts in 2002, Ashanti was the &quot;featured&quot; singer on the #2 single.)

In mid-2006, Carey began The Adventures of Mimi Tour, which was the most successful of her career, although some dates had to be canceled. She appeared on the cover of the March 2007 edition of Playboy magazine in a non-nude photo session. In early 2007, she was featured with Bow Wow on the Bone Thugs-n-Harmony single &quot;Lil&#039; L.O.V.E.&quot;.
Carey performing &quot;Touch My Body&quot; on Good Morning America on stage with her dancers in summer 2008.

By spring 2007, she had begun working on her eleventh studio album, E=MC².Asked about the album title&#039;s meaning, Carey said &quot;Einstein&#039;s theory? Physics? Me? Hello! ...Of course I&#039;m poking fun.&quot; She characterized the project as &quot;Emancipation of Mimi to the second power&quot;, saying she was &quot;freer&quot; on this album than any other. Like her previous one, this album mainly concentrates on pop and R;B, but also borrows hip hop, gospel and even reggae (&quot;Cruise Control&quot;) elements. Although E=MC² was well received by most critics, some of them criticized it for being &quot;a clone of The Emancipation of Mimi&quot;. Bleu Magazine&#039;s critic said that the &quot;facsimiles aren&#039;t terrible, they&#039;re just boring and forgettable at this point.&quot; Two weeks before the album&#039;s release, on April 2, 2008, &quot;Touch My Body&quot;, her first single from the album, became Carey&#039;s eighteenth number-one single on the Hot 100, pushing her past Elvis Presley into second place for the most number-one singles among all artists in the rock era, according to Billboard magazine&#039;s revised methodology.Carey is now second only to The Beatles, who have twenty number-one singles. The album debuted at number one on the Billboard 200 with 463,000 copies sold, making it the biggest opening week sales of her career.

Carey&#039;s singles have collectively topped the charts for seventy-nine weeks, which places her just behind Presley, who topped the charts for a combined eighty weeks.Carey has also had notable success on international charts, though not to the same degree as in the United States. Thus far, she has had two number-one singles in Britain, two in Australia, and six in Canada. Her highest-charting single in Japan peaked at number two.

Carey and actor/comedian/rapper Nick Cannon met while they shot Carey&#039;s music video for her second single &quot;Bye Bye&quot; on a private island of the coast of Antigua. On April 30, 2008, Carey married Nick Cannon, at Carey&#039;s private estate on Windermere Island in The Bahamas. In October 2008, Carey was inducted into the Long Island Music Hall of Fame.
Memoirs of an Imperfect Angel, Angels Advocate Tour (2009–present)
Carey at the 82nd Academy Awards on March 7, 2010

Carey performed &quot;Hero&quot; at the Neighborhood Inaugural Ball after Barack Obama was sworn in as America&#039;s first African-American president on January 20, 2009.On July 7, 2009, Carey – alongside Trey Lorenz – performed her version of the Jackson 5 hit &quot;I&#039;ll Be There&quot; at the memorial service for Michael Jackson in the Los Angeles Staples Center.

Carey was featured on &quot;My Love&quot;, the second single from singer-songwriter The-Dream&#039;s album Love vs. Money. In early 2009, The-Dream spoke with MTV UK about working on Carey&#039;s next studio album:
“ 	I think it&#039;s about just writing an album that includes the focus of all the hits that she&#039;s had. She can&#039;t take a loss; she has to do everything to the T. So it&#039;s basically like we&#039;re trying to make a greatest hits album without using the greatest hits. 	”

On May 20, Carey used her Twitter page to reveal the title of her twelfth album: Memoirs of an Imperfect Angel. Its first single &quot;Obsessed&quot; debuted on Billboard Hot 100, at number eleven, her highest debut on the chart since &quot;My All&quot; in 1998. Within hours after the song&#039;s release, various outlets speculated that its target was rapper Eminem, in response to his song &quot;Bagpipes from Baghdad,&quot; in which he taunted Carey&#039;s husband, Nick Cannon by telling him to back off and that Carey is his. According to MTV, Carey alludes to drug problems in &quot;Obsessed,&quot; which Eminem opened up about on his sixth studio album, Relapse.

&quot;Obsessed&quot; peaked at number seven on the Billboard Hot 100, making it her 40th career entry on that chart. This accolade made Carey the eighth woman to amass fourty Billboard Hot 100 singles; Aretha Franklin has the most, with seventy six.The album&#039;s second single was a cover of Foreigner&#039;s &quot;I Want to Know What Love Is&quot;. It only managed to peak at number sixty on the Billboard Hot 100 as well as becoming a moderate success worldwide. The album was released on September 29, 2009 in the United States. It debuted on the Billboard 200 at number three with first week sales of 168,000, considerably less than her previous album E=MC².[124] On October 5, 2009, during Carey&#039;s performance at a private V.I.P venue in New York, it was announced that &quot;H.A.T.E.U.&quot; would be the album&#039;s third single. Carey performed a mini-residency Live At The Pearl in promotion of the album at The Pearl in Las Vegas, she performed two dates in September before the albums release and two dates in October, premiering new songs from the album and some old favorites. Carey performed a New Year&#039;s Eve Concert in 2009, at Madison Square Garden live in New York, which marked the beginning of her new tour.

The song, &quot;100%&quot;, which was originally written and recorded for the film, Precious, was used as one of the theme songs for the 2010 Winter Olympics, with all money proceeds going to Team USA. Remarking about her participation, Carey stated,
“ 	I am honored to be a part of this effort to support Team USA through this soundtrack. The Olympic Winter Games create once-in-a-lifetime moments for the entire world to see. It is truly amazing to watch these first-rate athletes compete and give everything they have to reach new levels of achievement. Their actions provide hope and inspiration for everyone. As artists, we strive to encourage others through our music. 	”
Acting career
Carey and Robert De Niro at the premiere of Tennessee at the Tribeca Film Festival on April 26, 2008. Photograph by David Shankbone.

Carey began to take professional acting lessons in 1997, and in the coming year, she was auditioning for film roles. She made her debut as an opera singer in the romantic comedy The Bachelor (1999), starring Chris O&#039;Donnell and Renée Zellweger. CNN referred derisively to her casting as a talentless diva as &quot;letter-perfect  the &quot;can&#039;t act&quot; part informs Carey&#039;s entire performance&quot;.

Carey&#039;s first starring role was in Glitter (2001), in which she played a struggling musician in the 1980s who breaks into the music industry after meeting a disc jockey (Max Beesley). Though Roger Ebert said &quot;[Carey]&#039;s acting ranges from dutiful flirtatiousness to intense sincerity&quot;, most critics panned it: Halliwell&#039;s Film Guide called it a &quot;vapid star vehicle for a pop singer with no visible acting ability&quot;, and The Village Voice observed: &quot;When [Carey] tries for an emotion — any emotion — she looks as if she&#039;s lost her car keys.&quot; Glitter was a box office failure, and Carey earned a Razzie Award for her role. She later said that the film &quot;started out as a concept with substance, but it ended up being geared to 10-year-olds. It lost a lot of grit  I kind of got in over my head.&quot;

Carey, Mira Sorvino and Melora Walters co-starred as waitresses at a mobster-operated restaurant in the independent film WiseGirls (2002), which premiered at the Sundance Film Festival but went straight to cable in the U.S. Critics commended Carey for her efforts — The Hollywood Reporter predicted, &quot;Those scathing notices for Glitter will be a forgotten memory for the singer once people warm up to Raychel&quot;, and Roger Friedman, referring to her as &quot;a Thelma Ritter for the new millennium&quot;, said, &quot;Her line delivery is sharp and she manages to get the right laughs&quot;. WiseGirls producer Anthony Esposito cast Carey in The Sweet Science (2006), a film about an unknown female boxer recruited by a boxing manager, but it never entered production.

Carey was one of several musicians who appeared in the independently produced Damon Dash films Death of a Dynasty (2003) and State Property 2 (2005). Her television work has been limited to a January 2002 episode of Ally McBeal. Carey had a cameo appearance in Adam Sandler&#039;s 2008 film You Don&#039;t Mess with the Zohan, playing herself.

In 2006, Carey joined the cast of the indie film Tennessee (2008), taking the role of an aspiring singer who flees her controlling husband and joins two brothers on a journey to find their long-lost father. The movie received mixed reviews, but most of them raved about Carey&#039;s performance and praised it as &quot;understated and very effective.&quot;In 2009, she appeared as a social worker in Precious, the movie adaptation of the 1996 novel Push by Sapphire. The film has garnered mostly positive reviews from critics, as has Carey&#039;s performance. Variety described her acting as &quot;pitch-perfect&quot;. So far Precious has won awards at both the Sundance Film Festival and the Toronto Film Festival, receiving top awards there. In January 2010, Carey won the Breakthrough Actress Performance award for her role in Precious at the Palm Springs International Film Festival.
Artistry

Carey has said that from childhood she was influenced by R;B and soul musicians such as Billie Holiday, Sarah Vaughan, Gladys Knight and Aretha Franklin. Her music contains strong influences of gospel music, and her favorite gospel singers include The Clark Sisters, Shirley Caesar and Edwin Hawkins. When Carey incorporated hip hop into her sound, speculation arose that she was making an attempt to take advantage of the genre&#039;s popularity, but she told Newsweek, &quot;People just don&#039;t understand. I grew up with this music&quot;. She has expressed appreciation for rappers such as The Sugarhill Gang, Eric B. ; Rakim, the Wu-Tang Clan, The Notorious B.I.G. and Mobb Deep, with whom she collaborated on the single &quot;The Roof (Back in Time)&quot; (1998).

During Carey&#039;s career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston and Celine Dion. Carey and her peers, according to Garry Mulholland, are &quot;the princesses of wails  virtuoso vocalists who blend chart-oriented pop with mature MOR torch song&quot;. In She Bop II: The Definitive History of Women in Rock, Pop and Soul (2002), writer Lucy O&#039;Brien attributed the comeback of Barbra Streisand&#039;s &quot;old-fashioned showgirl&quot; to Carey and Dion, and described them and Houston as &quot;groomed, airbrushed and overblown to perfection&quot;. Carey&#039;s musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was &quot;schmaltzy MOR&quot;. Some have noted that unlike Houston and Dion, Carey co-writes her own songs, and the Guinness Rockopedia (1998) classified her as the &quot;songbird supreme&quot;.

Despite the fact that Carey is often credited with co-writing her material, she has also been accused of plagiarism on several occasions. Many of these cases were eventually settled out of court.
Voice

Mariah Carey possesses a five-octave vocal range. In a countdown of the &quot;22 Greatest Voices in Music&quot; by Blender Magazine and MTV, she scored first place, and she was placed second in Cove magazine&#039;s list of &quot;The 100 Outstanding Pop Vocalists&quot;.

Describing Carey&#039;s voice, French-American baritone and professor in the Conservatoire de Paris Malcolm Walker said, &quot;The voice is tired, but it&#039;s very well led, especially in the piano register. There are a lot of air passing  She passes easily in head voice. It&#039;s her true voice. Light lyric soprano, the upper register is much more healthy than the low register. Then, there is the belting voice. It works very well.  It’s the top of her voice, the diamond. But in the low register, it&#039;s tired, it&#039;s a worn instrument.  The muscles were so drawn that it&#039;s distended.&quot;

Music critic Jim Farber of Daily News said that Carey has &quot;a range wide enough to cover all the octaves between an alto and a soprano and the agility to move between those roles with swiftness and aplomb&quot;, and her vocal trademark is her ability to sing in the whistle register.

Carey has cited Minnie Riperton as the greatest influence on her singing technique and from a very early age, she attempted to emulate Riperton&#039;s high notes, to increasing degrees of success as her vocal range expanded. In 2003, her voice was ranked first in MTV and Blender magazine&#039;s countdown of the 22 Greatest Voices in Music, as voted by fans and readers in an online poll. Carey said of the poll, &quot;What it really means is voice of the MTV generation. Of course, it&#039;s an enormous compliment, but I don&#039;t feel that way about myself.&quot;
Themes and musical style
	
&quot;We Belong Together&quot; (2005)
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One of Carey&#039;s many love songs, and a Grammy Award winner for &quot;Best Female R;B Vocal Performance&quot; and &quot;Best R;B Song&quot;.
&quot;Vanishing&quot; (1990)
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The first song that Carey was allowed to co-produce demonstrates the piano influence that permeates much of her music.
&quot;My All&quot; (1998): Classic Club mix
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Remixes of Carey&#039;s singles by producers such as David Morales established her presence on the U.S. club scene.
Problems listening to these files? See media help.

Love is the subject of the majority of Carey&#039;s lyrics, although she has written about themes such as racism, social alienation, death, world hunger, and spirituality. She has said that much of her work is partly autobiographical, but TIME magazine wrote: &quot;If only Mariah Carey&#039;s music had the drama of her life. Her songs are often sugary and artificial—NutraSweet soul. But her life has passion and conflict.&quot; The Village Voice wrote in 2001 that, in that respect, Carey compared unfavorably with singers such as Mary J. Blige, saying &quot;Carey&#039;s Strawberry Shortcake soul still provides the template with which teen-pop cuties draw curlicues around those centerless [Diane] Warren ballads  it&#039;s largely because of [Blige] that the new r;b demands a greater range of emotional expression, smarter poetry, more from-the-gut testifying, and less unnecessary notes than the squeaky-clean and just plain squeaky Mariah era. Nowadays it&#039;s the Christina Aguileras and Jessica Simpsons who awkwardly oversing, while the women with roof-raising lung power keep it in check when tune or lyric demands.&quot;

Carey&#039;s output makes use of electronic instruments such as drum machines, keyboards and synthesizers. Many of her songs contain piano music, and she was given piano lessons when she was six years old. Carey said that she cannot read sheet music and prefers to collaborate with a pianist when composing her material, but feels that it is easier to experiment with faster and less conventional melodies and chord progressions using this technique. Some of her arrangements have been inspired by the work of musicians such as Stevie Wonder, a soul pianist to whom Carey once referred as &quot;the genius of the [twentieth] century&quot;, but she has said, &quot;My voice is my instrument; it always has been.&quot;

Carey began commissioning remixes of her material early in her career and helped to spearhead the practice of recording entirely new vocals for remixes. Disc jockey David Morales has collaborated with Carey several times, starting with &quot;Dreamlover&quot; (1993), which popularized the tradition of remixing pop songs into house records, and which Slant magazine named one of the greatest dance songs of all time. From &quot;Fantasy&quot; (1995) onward, Carey enlisted both hip hop and house producers to re-imagine her album compositions. Entertainment Weekly included two remixes of &quot;Fantasy&quot; on a list of Carey&#039;s greatest recordings compiled in 2005: a National Dance Music Award-winning remix produced by Morales, and a Sean Combs production featuring rapper Ol&#039; Dirty Bastard. The latter has been credited with popularizing the pop/hip hop collaboration trend that has continued into the 2000s through artists such as Ashanti and Beyoncé. Combs said that Carey &quot;knows the importance of mixes, so you feel like you&#039;re with an artist who appreciates your work—an artist who wants to come up with something with you&quot;. She continues to consult on remixes by producers such as Morales, Jermaine Dupri, Junior Vasquez and DJ Clue, and guest performers contribute frequently to them. The popularity in U.S. nightclubs of the dance remixes, which often sound radically different from their album counterparts, has been known to eclipse the mainstream chart success of the original songs.
Philanthropy and other activities

Carey is a philanthropist who has donated time and money to organizations such as the Fresh Air Fund. She became associated with the Fund in the early 1990s, and is the co-founder of a camp located in Fishkill, New York, that enables inner-city youth to embrace the arts and introduces them to career opportunities. The camp was called Camp Mariah &quot;for her generous support and dedication to Fresh Air children&quot;, and she received a Congressional Horizon Award for her youth-related charity work. She is well-known nationally for her work with the Make-a-Wish Foundation in granting the wishes of children with life-threatening illnesses, and in November 2006 she was awarded the Foundation&#039;s Wish Idol for her &quot;extraordinary generosity and her many wish granting achievements&quot;. Carey has volunteered for the New York City Police Athletic League and contributed to the obstetrics department of New York Presbyterian Hospital Cornell Medical Center. A percentage of the sales of MTV Unplugged was donated to various other charities. In 2008, Carey was named Hunger Ambassador of the World Hunger Relief Movement. She is giving a free download of her song, &quot;Love Story&quot;, to customers who donate to the organization at participating restaurants.

One of Carey&#039;s most high-profile benefit concert appearances was on VH1&#039;s 1998 Divas Live special, during which she performed alongside other female singers in support of the Save the Music Foundation. The concert was a ratings success, and Carey participated in the Divas 2000 special. In 2007, the Save the Music Foundation honored Carey at their tenth gala event for her support towards the foundation since its inception. She appeared at the America: A Tribute to Heroes nationally televised fundraiser in the aftermath of the September 11 attacks, and in December 2001, she performed before peacekeeping troops in Kosovo. Carey hosted the CBS television special At Home for the Holidays, which documented real-life stories of adopted children and foster families, and she has worked with the New York City Administration for Children&#039;s Services. In 2005, Carey performed for Live 8 in London and at the Hurricane Katrina relief telethon &quot;Shelter from the Storm&quot;. In August 2008, Carey and other singers recorded the charity single, &quot;Just Stand Up&quot; produced by Babyface and L. A. Reid, to support &quot;Stand Up to Cancer&quot;. On September 5, the singers performed it live on TV.

Declining offers to appear in commercials in the United States during her early career, Carey was not involved in brand marketing initiatives until 2006, when she participated in endorsements for Intel Centrino personal computers and launched a jewelry and accessories line for teenagers, Glamorized, in American Claire&#039;s and Icing stores. During this period, as part of a partnership with Pepsi and Motorola, Carey recorded and promoted a series of exclusive ringtones, including &quot;Time of Your Life&quot;. She signed a licensing deal with the cosmetics company Elizabeth Arden, and in 2007, she released her own fragrance, &quot;M&quot;.According to Forbes, Carey was the sixth richest woman in entertainment as of January 2007[update], with an estimated net worth of US $225 million. Carey directed or co-directed several of the music videos for her singles during the 1990s. Slant magazine named the video for &quot;The Roof (Back in Time)&quot;, which Carey co-directed with Diane Martel, one of the twenty greatest music videos of all time. In 2008, Carey made Time&#039;s annual list of 100 most Influential people. In January 2010, Carey announced via Twitter that she is launching a new rosé champagne brand called Angel Champagne.</p><p>CLIPSHARE</p> 
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